Asad Faulwell. Les Femmes D’Alger #68. 2016. Courtesy Lawrie Shabibi and Asad Faulwell
Asad Faulwell. Les Femmes D’Alger #68. 2016. Courtesy Lawrie Shabibi and Asad Faulwell

In the Heart of the Cosmos: a review



A single experience can inspire an artist's body of work for several years, if not an entire career. Such was the case when LA-based artist Asad Faulwell watched Gillo Pontecorvos's 1966 film The Battle of Algiers in his first semester of graduate school. For almost a decade his practice has focused exclusively on a series Les Femmes D'Alger, inspired by the film which sheds light on a specific history, that of women freedom fighters during the 1956-66 Algerian war of independence from French occupation.

"The film dealt with a lot of issues I was already interested in," he explains, "but also had this added complexity that it wasn't just dealing with colonialism, it was dealing with gender in a really interesting and maybe an unexpected way." The series runs to over 70 paintings, all sold and many in important collections. Earlier examples were part of his first solo at Lawrie Shabibi in 2014. In the Heart of the Cosmos, Faulwell's second solo exhibition in Dubai, which opened this week, includes seven recent paintings and marks the series' culmination.

“These were women asked to make a huge sacrifice for independence, who did so willingly, but were subsequently excluded from the conversation and not given the opportunity to shape the future of the country they helped to create.” The artist, who is half-Iranian, elucidates: “The story is a specific narrative that repeats itself so often around the world and throughout time that its something that has a very universal quality to it”.

Trained in abstract painting and initially uncomfortable with depicting figures, Faulwell was soon creating mesmeric, technicolour canvases dominated by portraits of real women, images taken from photo-reportage transformed into psychedelic icons. He asked himself: “am I effectively communicating what this story is about, I need to communicate something psychologically.” The women’s eyes were where the transformation was most extreme, adding emotive tears or closing them completely. Many women are mutilated or scarred. As the series evolved: “I started to think of them less of living women and instead as monuments to historical figures,” Faulwell discloses. “I stopped trying to paint them as fleshly, living human beings but more as statues.” These iconic female forms are a world away from the fleshy sexualised women of Delacroix and Picasso.

In his latest paintings Faulwell has come full circle back to his original preoccupation with abstraction and patterning. Female forms that were once protagonists are pushed to the periphery of the canvas. Despite this repositioning, the women are still there: repeated again and again, their images decreasing in size to create perspective in the composition, becoming an anonymous army. A major strength of his practice has been combining different materials resulting in a rich surface quality and intense composition. “I think a painting should be equally compelling from the door as when you are right next to it,” he tells us. In one work he has created a deep blue expanse of sky, with constellations mapped out by pins. “I think of these as landscapes. In a year I make ten or twelve paintings. Such a slow speed of evolution allows for a super slow-motion improvisation.”

It's important to appreciate how Les Femmes d'Alger questions many assumptions prevalent in the art world. Faulwell declares: "it is consciously, intentionally feminist work. In terms of the confusion that creates, I love that."

* Asad Faulwell In the Heart of the Cosmos runs until February 4 at Lawrie Shabibi, Unit 21, Alserkal Avenue.

Laura Egerton is a Dubai-based writer and curator. Follow her on social media @lauralouiseegerton www.lawrieshabibi.com.

Thanks to Laura Egerton for this review.

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Ruwais timeline

1971 Abu Dhabi National Oil Company established

1980 Ruwais Housing Complex built, located 10 kilometres away from industrial plants

1982 120,000 bpd capacity Ruwais refinery complex officially inaugurated by the founder of the UAE Sheikh Zayed

1984 Second phase of Ruwais Housing Complex built. Today the 7,000-unit complex houses some 24,000 people.  

1985 The refinery is expanded with the commissioning of a 27,000 b/d hydro cracker complex

2009 Plans announced to build $1.2 billion fertilizer plant in Ruwais, producing urea

2010 Adnoc awards $10bn contracts for expansion of Ruwais refinery, to double capacity from 415,000 bpd

2014 Ruwais 261-outlet shopping mall opens

2014 Production starts at newly expanded Ruwais refinery, providing jet fuel and diesel and allowing the UAE to be self-sufficient for petrol supplies

2014 Etihad Rail begins transportation of sulphur from Shah and Habshan to Ruwais for export

2017 Aldar Academies to operate Adnoc’s schools including in Ruwais from September. Eight schools operate in total within the housing complex.

2018 Adnoc announces plans to invest $3.1 billion on upgrading its Ruwais refinery 

2018 NMC Healthcare selected to manage operations of Ruwais Hospital

2018 Adnoc announces new downstream strategy at event in Abu Dhabi on May 13

Source: The National

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2018 ICC World Twenty20 Asian Western Sub Regional Qualifier

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UAE’s fixtures: Fri Apr 20, UAE v Qatar; Sat Apr 21, UAE v Saudi Arabia; Mon Apr 23, UAE v Bahrain; Tue Apr 24, UAE v Maldives; Thu Apr 26, UAE v Kuwait

World T20 2020 Qualifying process:

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World T20 standings: 1 Pakistan; 2 Australia; 3 India; 4 New Zealand; 5 England; 6 South Africa; 7 West Indies; 8 Sri Lanka; 9 Afghanistan; 10 Bangladesh; 11 Scotland; 12 Zimbabwe; 13 UAE; 14 Netherlands; 15 Hong Kong; 16 Papua New Guinea; 17 Oman; 18 Ireland

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England (15-1)
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Ain Issa camp:
  • Established in 2016
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  • Of the adult population, 49 per cent men, 51 per cent women (not including foreigners annexe)
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  • 950 foreigners linked to ISIS and their families
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Saturday
West Ham United v Tottenham Hotspur (3.30pm)
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Monday
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Match info:

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Golden Shoe top five (as of March 1):

Harry Kane, Tottenham, Premier League, 24 goals, 48 points
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How to get there

Emirates (www.emirates.com) flies directly to Hanoi, Vietnam, with fares starting from around Dh2,725 return, while Etihad (www.etihad.com) fares cost about Dh2,213 return with a stop. Chuong is 25 kilometres south of Hanoi.