There are artists whose work you think you know, and then something stops you in your tracks. So it was in A Century in Flux: Highlights from the Barjeel Art Collection at the Sharjah Art Museum, when I saw Dia Azzawi's Al-Jawf Masks in person. Dark in colour and sombre in tone, it's a great, brooding painting, with one exceedingly rare element: Azzawi's own handprint, pressed onto the canvas.
Azzawi painted Al-Jawf Masks in Iraq in 1966, three years after the Ba'ath Party coup and during a time of violent crackdown on poets and artists. Azzawi himself was imprisoned for three months, and a number of his works refer directly to the events of that time, such as A Wolf Howls: Memories of a Poet, which is also on show in the Barjeel exhibition. More impressionistic than that more famous painting, Al Jawf Masks is named after a village near Karbala – Qaryat al-Jawf – in the north of Iraq, where Azzawi had been stationed during military service. There he learnt from the peasants and local villagers of folkloric, mythological, and religious stories and motifs that appeared for years afterwards in his practice, combined into new narratives and protests alike. A number of these elements feature in Al-Jawf Masks, such as, in the centre of the canvas, a blue circle suggesting a traditional protective bead, or, just below, eyes that, following ancient Sumerian motifs, are painted black. The spirals on the top of the dark column replicate patterns from bisat, a kind of thick carpet made in Iraq.
And in the middle of the whole composition, you have that hand. What is it doing there?
Technically, it's a reference to the Hand of Fatima – a typical Shia symbol of protection, and one that appears in a few of the artist's other works. But Al-Jawf Masks is a particularly earthy, almost raw painting, and I couldn't stop thinking of what it must have been like for Azzawi to put his hand to the canvas like that. Particularly for a practice inspired by philosophy and ethnography, and known for clean lines and bright colours, it's a revelation to see this impure, imperfectly rendered, physical residue of skin and paint.
It’s a sudden appearance of the artist’s body: Here. I. Am.
It is not surprising that Azzawi, in those fraught political circumstances, would show a fragmented body, nor that he would surround it with protective symbols. In other works of the time, he likewise signalled how the human figure itself was under threat: the world around him was full of violence. But for me, this hand does more than that. It transforms the painting into a performance across time – and if you’ll permit a probably unexpected excursus, I’ll try and suggest why.
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Read more:
The story behind Ai Weiwei's Fountain of Light at Louvre Abu Dhabi
In the frame: Basim Magdy, The Dent, 2014
Louvre Abu Dhabi 360: Check out the galleries from all angles
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Handprints are relatively rare in painting, but they are important: they are some of the earliest known examples of art. Cave paintings have been discovered that date back to 40,000BC and show the outlines of human hands, in sites from southern France to Australia to Indonesia. For one kind of hand painting, Paleolithic humans would blow pigment around their hands, covering the cave wall with manifold stencils.
These works have been understood as some of the first attempts at mark-making and even self-portraiture. Another theory, which is more important here, moves away from the metaphor of proto-canvas and representation, and wonders: what if the ancient humans held their hands up to the damp cave walls and thought of them as membranes to another world? Their pigment-blowing could be the remnant of a ritual that allowed them to access another side – the world of their ancestors, perhaps, or that of the future.
Perhaps because Al-Jawf Masks' handprint speaks of the artist so immediately, and seems so plaintive amid the tragic composition, I can only think of this painting as doing something similar: a literal reaching out to the audience seeing the work, in a different, perhaps happier time. And for our part – do we have what it takes to meet this connection from beyond the museum wall?
The low down
Producers: Uniglobe Entertainment & Vision Films
Director: Namrata Singh Gujral
Cast: Rajkummar Rao, Nargis Fakhri, Bo Derek, Candy Clark
Rating: 2/5
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If you go
Where to stay: Courtyard by Marriott Titusville Kennedy Space Centre has unparalleled views of the Indian River. Alligators can be spotted from hotel room balconies, as can several rocket launch sites. The hotel also boasts cool space-themed decor.
When to go: Florida is best experienced during the winter months, from November to May, before the humidity kicks in.
How to get there: Emirates currently flies from Dubai to Orlando five times a week.
Army of the Dead
Director: Zack Snyder
Stars: Dave Bautista, Ella Purnell, Omari Hardwick, Ana de la Reguera
Three stars
How to avoid crypto fraud
- Use unique usernames and passwords while enabling multi-factor authentication.
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What can you do?
Document everything immediately; including dates, times, locations and witnesses
Seek professional advice from a legal expert
You can report an incident to HR or an immediate supervisor
You can use the Ministry of Human Resources and Emiratisation’s dedicated hotline
In criminal cases, you can contact the police for additional support
Electoral College Victory
Trump has so far secured 295 Electoral College votes, according to the Associated Press, exceeding the 270 needed to win. Only Nevada and Arizona remain to be called, and both swing states are leaning Republican. Trump swept all five remaining swing states, North Carolina, Georgia, Pennsylvania, Michigan and Wisconsin, sealing his path to victory and giving him a strong mandate.
Popular Vote Tally
The count is ongoing, but Trump currently leads with nearly 51 per cent of the popular vote to Harris’s 47.6 per cent. Trump has over 72.2 million votes, while Harris trails with approximately 67.4 million.
COMPANY PROFILE
Name: HyperSpace
Started: 2020
Founders: Alexander Heller, Rama Allen and Desi Gonzalez
Based: Dubai, UAE
Sector: Entertainment
Number of staff: 210
Investment raised: $75 million from investors including Galaxy Interactive, Riyadh Season, Sega Ventures and Apis Venture Partners
City's slump
L - Juventus, 2-0
D - C Palace, 2-2
W - N Forest, 3-0
L - Liverpool, 2-0
D - Feyenoord, 3-3
L - Tottenham, 4-0
L - Brighton, 2-1
L - Sporting, 4-1
L - Bournemouth, 2-1
L - Tottenham, 2-1
Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.
Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.
“Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.
Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.
“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.
Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.
From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.
Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.
BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.
Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.
Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.
“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.
Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.
“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.
“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”
The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”
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The Bio
Favourite vegetable: “I really like the taste of the beetroot, the potatoes and the eggplant we are producing.”
Holiday destination: “I like Paris very much, it’s a city very close to my heart.”
Book: “Das Kapital, by Karl Marx. I am not a communist, but there are a lot of lessons for the capitalist system, if you let it get out of control, and humanity.”
Musician: “I like very much Fairuz, the Lebanese singer, and the other is Umm Kulthum. Fairuz is for listening to in the morning, Umm Kulthum for the night.”
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