More cinemas in the US will be showing <i>The Fablemans</i>, <i>Tár</i> and <i>Women Talking</i>, a move to capitalise on the films' Oscar nominations at a time when dramas are struggling to draw people to cinemas. After visits to the cinema plunged during the pandemic, audiences have returned in droves to action-packed blockbusters such as <i>Top Gun: Maverick</i> and <i>Avatar: The Way of Water</i>. The <i>Avatar</i> sequel has raked in more than $2 billion globally, ranking as the sixth-highest grossing film of all time. Many of the Hollywood dramas targeted at adult viewers have not fared nearly as well. Some older cinemagoers simply have not returned to the local cinema, industry executives told Reuters. Others have decided to wait to stream films that do not have a visual spectacle that pops off a big screen. Studios are now making movies available to watch at home as soon as 17 days after their theatrical debut. But filmmakers hope the publicity leading up to the Academy Awards in March will lure some in the country back to their local cinemas. Box office receipts can rise as much as 75 per cent in the weeks following a Best Picture nomination, according to Comscore data. Best Picture nominee <i>Women Talking</i>, about a religious colony grappling with a series of rapes, will expand from 153 cinemas in the US to more than 700 this weekend, according to a person familiar with the film's release. Its ticket sales so far total less than $1.3 million worldwide. The distributor, United Artists Releasing, planned the release strategy to coincide with this week's Oscar nominations, with the hope the film would benefit from a box-office bounce. The move was a gamble, the person said, since nominations are never guaranteed. <i>Tár, </i>a Best Picture contender starring Cate Blanchett as a manipulative orchestra conductor, will expand to 535 cinemas from 100. The film has collected about $7.2 million at global cinemas to date. Even legendary director Steven Spielberg has had trouble drawing crowds to Best Picture nominee <i>The Fabelmans</i>, his autobiographical story about family strife and anti-Semitism he faced as a teenager. Since its release in November, the film has brought in $21.8 million worldwide. <i>The Fabelmans</i> will play in 1,800 cinemas across the US this weekend, nearly double the number from a week ago, according to a source familiar with the plans. Spielberg told Reuters earlier this month that he was concerned about the dwindling turnout for adult dramas. "But there's been some bright spots this year, some very, very bright spots where films for older people are actually getting older people out to see those films in motion picture theaters," he said. "So I'm kind of optimistic about it." One drama that has bucked the trend is Sony Corp's <i>A Man Called Otto</i> starring Tom Hanks as a grumpy older man grieving the loss of his wife. The film has pulled in more than $57 million at the global box office since its late December release. Another nominee, <i>Elvis</i> became a hit last summer by aiming to entertain viewers of all ages, incorporating music from contemporary artists such as Doja Cat and Diplo, alongside the King of Rock 'n' Roll's classic recordings. "We held very passionately the idea that we had to get volumes of young and old back into the theaters," director Baz Luhrmann said in an interview. <i>Elvis</i> has collected $287.3 million at the global box office. Warner Bros is re-releasing the film in US cinemas this weekend after it landed eight Oscar nominations including Best Picture and Best Actor. Comcast Corp's Universal Pictures made <i>Tár</i> and <i>The Fabelmans</i> available to rent at home via premium video-on-demand even as they continued to play in cinemas. The company has not disclosed revenue from those sales, though its executives have credited this strategy with lifting some films into profitability. Sarah Polley, director of <i>Women Talking</i>, said that as a moviegoer she enjoys seeing "smaller, more intimate human dramas" in theaters. "I really love the feeling of sensing an audience, and sensing someone's breath or emotion, or the beginning of a laugh, or crying," she said in an interview this month. "Not being able to be attuned to the others in a room is something that would make me sad if that started to disappear," she said. "It's not looking great at the moment." <b>Scroll the gallery below to see more of the 2023 Academy Award nominees</b>