<span>As a child, Emirati filmmaker Tariq Ahm</span><span>ad Alkazim </span><span>slept with the lights on, or with the door open just enough for there to be a glimmer of light</span><span>. </span><span>H</span><span>is </span><span>childhood fear </span><span>has now been translated into </span><span>his creative career.</span> <span>Alkazim </span><span>channell</span><span>ed </span><span>it into his latest movie, </span><span><em>Nyctophobia</em></span><span>, which means</span><span> fear of the dark</span><span>. The film</span><span> is a revealing insight into Alkazim's </span><span>mind and imagination. "</span><span>The fear was there ever since I can remember," he admits. "I overcame </span><span>it slowly as I grew up, acknowledging that with light or without light doesn't make a difference. The first few days were terrifying, but eventually I managed to overcome the fear."</span> <span>It was through this film that he finally opened up about his secret, </span><span>which </span><span>commonly starts in children between the ages of 3 and 6. </span><span>"I wanted people to know about the fear of darkness and to portray it in the film. I wanted people to feel the same," </span><span>Alkazim explains</span><span>.</span> <span>Even the characters took on the imaginative imagery of his childhood</span><span>. They include dauntingly large male figures and bearded villains with sinister features – embodied by the dark features of Romanian actor Robert Cristian Trif – </span><span>much like </span><span>Alkazim re</span><span>calls from the stories told throughout his </span><span>childhood.</span> <span>The tense psychological thriller tells the story of Julia, played by Heba Al Hamwi, a writer who seeks </span><span>the solitude of a peaceful farmhouse in Al Ain, away from the distractions of Dubai. Though Alkazim, who </span><span>will screen the 30-minute film</span><span> in Dubai today, keeps the plot close to his chest, he explains </span><span>this isolated location proves far from the sanctuary </span><span>Julia first envisaged. As </span><span>she begins to realise</span><span> she is not alone, she discovers she is also locked in, with no escape.</span> <span>Al Ain proved the perfect setting for the film, mostly because Alkazim was able to use his father's farmhouse</span><span> there. </span><span>It was also a</span><span> place where he could not escape his own nyctophobia as a child – </span><span>when the lights were out, there was no glimpse of respite in the remote desert location.</span> <span>"I've spent many days and nights in my father's farmhouse in Al Ain</span><span>," he says. "Part of the story was inspired by the location, so I thought the best thing to do was to shoot the movie there."</span> <span>It is not </span><span>his first dalliance </span><span>with the horror genre</span><span>.</span><span> </span><span><em>Until Midnight</em></span><span>, which was released in 2018, followed a similar theme, exploring </span><span>what happens if you're alone in a house with an intruder. Also filmed in a family home in Al Barsha, the creepy flick tells of a fear deeply rooted in Alkazim's </span><span>imagination. "There isn't a personal backstory behind it in terms of an intruder,</span><span> but I find that intruders can be the closest thing to a reality when it comes to horrific incidents</span><span>," he says. "I included this element because in people's eyes it could become a reality."</span> <span>Alkazim, 28, is one of a growing number of Emirati </span><span>directors eager to channel their creative talents on screen. </span><span>He had his first foray into filmmaking in 2012, when he participated in the Gulf Film Festival with his short, </span><span><em>Death Circle</em></span><span>, while he was still in high school. He </span><span>studied at </span><span>SAE Institute Dubai and later, Abu Dhabi's New York Film Academy, deepening his passion for film.</span> <span>Studying script writing as well as acting,</span><span> he broadened his knowledge of the craft behind and in front of the camera. It was in 2015 that he first began to see recognition of his work, with his short </span><span><em>The Man Who Met The Angel</em></span><span> </span><span>being given its premier</span><span>e at the Dubai International Film Festival that year. It was nominated for the Muhr Emirati Award at the festival.</span> <span>However, though the talent and enthusiasm for film in the UAE is growing, the challenge of funding remains a barrier for </span><span>Emiratis and </span><span>residents eager to make their mark. Alkazim says he knows first</span><span>-hand the feeling of rejection on the path to finding support, an experience he describes as "very common"</span><span>. But he says it is even more difficult to find sources of funding.</span> <span>It takes plenty of patience</span><span>, he admits. </span><span>"I see the biggest challenge</span><span> as a lack of funding</span><span>," he says. "I think the first step is for companies to be brave and invest in new filmmakers</span><span>."</span><span> </span> <em><span>Nyctophobia </span><span>is being </span><span>screened at the Saudi German Hospital Auditorium</span><span> today</span></em>