<span>For an actor who has </span><span>claimed repeatedly that he hates being stereotyped and that tags "suffocate him", Bollywood star Akshay Kumar's </span><span>30-year career can be split into three broad phases</span><span>: the fit-as-a-fiddle action hero of the 1990s</span><span>; the charming, loveable and comical goof of the </span><span>2000s</span><span>; and in the last five years, he has been </span><span>the poster boy </span><span>for Indian patriotism. </span> <span>Since 2014, the 51-year-old actor has starred in 11 films with nationalistic flavour</span><span>. Fierce national pride </span><span>has also been central to the plot of eight out of his </span><span>past 10 films</span><span>, so much so</span><span> that it is sometimes difficult to distinguish one </span><span>Kumar film from </span><span>another.</span> <span>His last two Bollywood releases</span><span>, </span><span><em>Kesari </em></span><span>(201</span><span>9)</span><span> and </span><span><em>Gold</em></span><span> (2018)</span><span>, are set in pre-independence India, with </span><span>the actor playing the nationalist who brings honour to his country and people by </span><span>triumphing against </span><span>the odds. The settings are starkly different, </span><span><em>Kesari</em></span><span> is staged </span><span>on the battlefield, while </span><span><em>Gold</em></span><span> was a historical sports drama, but Kumar's characters in both films followed a similar trajectory: achieving the impossible due to the sheer force of will </span><span>and asserting India's superiority in the face of foreign invaders.</span> <span>There was </span><span><em>Naam Shabana</em></span><span> and </span><span><em>Jolly LLB 2</em></span><span> in 2017</span><span>; </span><span><em>Rustom</em></span><span> and </span><span><em>Airlift</em></span><span> in 2016</span><span>; </span><span><em>Gabbar is Back</em></span><span> and </span><span><em>Baby</em></span><span> in 2015</span><span>; and </span><span><em>Holiday</em></span><span> in 2014</span><span>, films in which Kumar plays some variation of the son of the soil</span><span>. </span> <span>Kumar might be its latest torch-bearer, but patriotism has a box</span><span>-office appeal that spans many decades</span><span>. From Manoj Kumar in the 1960s, </span><span>1970s and </span><span>1980s to Sunny Deol in the </span><span>1990s and early</span><span> 2000s, </span><span>Kumar</span><span> is following a tradition of actors</span><span> who have kept </span><span>India's flag flying high</span><span>. While Manoj Kumar is the undisputed king of film patriotism</span><span>, from </span><span><em>Upkar</em></span><span> in 1967 to </span><span><em>Clerk</em></span><span> in 1989, </span><span>Deol </span><span>capitalised on the patriotic fervour inspired by insurgency in Kashmir in the 1990s</span><span><em>.</em></span> <span>Going the patriotic route has helped Kumar</span><span> gain recognition. </span> <span>His films have often been slammed by critics for their poor production quality and under-developed scripts that lean so heavily on propagating a social message that they forget that movies are, first and foremost, an art form, not government advertisements taken out in public interest. </span><span><em>Toilet: Ek Prem Katha</em></span><span>, in particular, received a lot of flak for its unabashed and proud glorification of the </span><span>Indian government's flagship Swachh Bharat </span><span>mission. And yet, it was among the top-grossing Bollywood films of 2017.</span> <span>A year before that Kumar starred in </span><span><em>Rustom</em></span><span>, which was widely ridiculed as a tackily shot and </span><span>overly dramatised patriotic film that couldn't even get the uniform of its lead actor</span><span>, a naval officer</span><span>, correct. Even though critics called </span><span><em>Rustom</em></span><span> one of Kumar's worst performances in recent years, it won him his first Best Actor National Film Award. It was a move that raised many eyebrows and was hotly debated as a sign of political interference in the jury's decision-making</span><span>.</span> <span>Becoming the poster boy for nationalism and stoking patriotic fires has major financial benefits in a country that sells an estimated 2.2 billion tickets and produces over a 1,000 films annually, more than double the amount that Hollywood churns out. If it’s done in a way that sheds a favourable light on the sitting government, so much the better. </span> <span>Kumar claims that he has no particular affinity for films </span><span>with a country-loving flavour, but his role as Bollywood's resident patriot is so well-entrenched in the minds of his audiences that it reflects in his brand endorsements too. </span><span>One advertisement for an edible oil company has him cooking for soldiers in the army</span><span>, while </span><span>the most on-the-nose of the lot</span><span> has Kumar peddl</span><span>ing a particular brand of tiles with the dialogue</span><span>:"Desh ki mitti se bani tiles se desh ko banate hain</span><span> (</span><span>Let's build the country with tiles made of the country's soil)", spoken while dressed as an army officer.</span> <span>Kumar's standing </span><span>as the foremost patriotic icon of today's generation cannot be denied. And yet, his success has to be viewed with a hint of irony</span><span> given that, while his public persona rests </span><span>on his perception as a devoted, nation-loving Bollywood superstar, in reality, Kumar gave up his Indian citizenship in favour of Canada many years ago.</span> <span>He might not be as much of the son of the soil as his social media and marketing machines will have us believe, but for as long as he has us</span><span> lapping up every word of his</span><span> nationalist scripts, he's going to be laughing all the way to the (Canadian) bank.</span>