<span>It is the </span><span>oldest </span><span>surviving cast-iron building </span><span>in India. </span><span>But the Esplanade Mansion, formerly known as Watson's Hotel, has also become a symbol</span><span> of Mumbai</span><span>'s decline.</span> <span>The once majestic structure has been declared </span><span>unsafe by the Maharashtra Hous</span><span>ing and Area Development Authority</span><span>, its tenants told to leave and there is also talk of demolishing the</span><span> building, which opened its doors in 1869</span><span>. </span><span>In 2006, the World Monuments Fund</span><span> – a New York non-profit organisation dedicated to preserving historic architecture worldwide </span><span>– </span><span>added the building to its list of the </span><span>world's 100 most endangered </span><span>monuments</span><span>.</span> <span>Originally owned by Englishman John Watson, Esplanade Mansion's vintage is </span><span>impressive, even by colonial standards. "The materials for this building were wholly English; the iron frame came from Derby, the bricks and cement from the banks of the Thames, the tiles from Staffordshire</span><span> and, finally, the red stone plinth and column bases from Penrith, Cumberland, where Watson hailed from</span><span>," scholarly site </span><span><em>The Victorian Web </em></span><span>says. </span> <span>"These were conveyed from England to India by </span><span>ships via the Cape of Good Hope in </span><span>1864-1865 and erected on the </span><span>esplanade in the town of </span><span>Mumbai under the superintendence of </span><span>Mr</span><span> Thomas Thompson of Wetheral. The design and mode of construction proved quite a success</span><span>."</span> <span>Jonathan Charles Clarke, a buildings historian associated with The University of Cambridge, cites a traveller's diary in his 2002 tome </span><span><em>Construction History</em></span><span>: "A traveller familiar with Bombay passed through it in 1867, and, on a morning walk, observed that opposite Forbes Street 'something like a huge birdcage had risen like an exhalation from the earth'. This was, in fact, the skeleton of the Esplanade Hotel." In their architectural tome </span><span><em>Bombay: the Cities Within</em></span><span>, </span><span>heritage experts Sharada Dwivedi and Rahul Mehrotra</span><span> </span><span>say that "</span><span>with </span><span>more than 120 baths fitted, it outdid European levels of luxury. It was thoroughly ventilated throughout with a punkahwallah [a manually</span><span> operated fan] serving every room and it commanded breathtaking views across the harbours, bays and distant hills. And it boasted India's first steam-powered lift."</span> <span>To add to the crackle and grain of sepia-tinted nostalgia, Indian cinema </span><span>was born </span><span>in Watson's Hotel on </span><span>July 7, 1896. Six films were screened by the Lumi</span><span>ere brothers, Auguste and Louis, who were among the world's first filmmakers, at an event </span><span>that was described by </span><span><em>The Times of India</em></span><span> as "the miracle of the century"</span><span>. Tickets cost </span><span>1 Indian rupee [less than 1 fils]</span><span>, which was an extravagant price at the time.</span> <span>The films screened were </span><span><em>Entry Of A Cinematographe, Arrival Of A Train, The Sea Bath, A Demolition, Leaving The Factory</em></span><span><em> </em></span><span>and </span><span><em>Ladies And Soldiers On Wheels</em></span><span><em>. </em></span><span>Reports suggested the audience was in thrall. The </span><span>precipitous fall faced by Esplanade Mansion</span><span> </span><span>is </span><span>only </span><span>made more remarkable when you realise</span><span> that </span><span>Bollywood, the world's </span><span>largest film</span><span> producer, is based in Mumbai.</span> <span>"Esplanade Mansion, </span><span>or Watson's Hotel, is emblematic of government apathy towards our heritage and the failure of private enterprises in playing a more proactive role towards preserving our history. Add to this an outdated Rent Control Act, and owners of crumbling structures have </span><span>few resources to maintain them," says Abha Narain Lambah, a conservation architect who has spent the past 23 years working on </span><span>a series of seminal urban restoration projects in Mumbai.</span> <span>"The Maharashtra Hous</span><span>ing and Area Development Authority </span><span>does not have staff or expertise when it comes to colonial structures. To them, a building from 1967 is the same as a building from 1867</span><span>," she says. "Esplanade Mansion lies on one of the most expensive </span><span>pieces of land in the world. Even if someone were to buy it for </span><span>4 billion rupees</span><span> </span><span>[Dh21</span><span>3 million</span><span>], if restored lavishly, the commercial options are</span><span> plentiful</span><span>. </span><span>You can have an art gallery, a boutique hotel, a fine-dining restaurant, or what have you. But </span><span>you need</span><span> to have a vision and a will</span><span>."</span><span> </span> <span>After</span><span> opening its doors, Watson's Hotel began to attract a dazzling cast of international celebrities</span><span>, such as British explorer and linguist Richard </span><span>Burton, who stayed </span><span>at the </span><span>property in 1876. </span><span>In June 1881, Kal</span><span>a</span><span>kaua, the King of Hawaii, checked into Watson's</span><span> Hotel. Also known as the Merrie Monarch, </span><span>he arrived in</span><span> </span><span>Mumbai</span><span> to ascertain "the feasibility of populating his dominions with the </span><span>inhabitants of this country".</span><span> </span> <span>In February 1896, American writer Mark Twain stayed there, too. In </span><span><em>Following the Equator</em></span><span>, Twain describes his experiences </span><span>in the opulent</span><span> hotel. "The lobbies and halls </span><span>were full of turbaned, and fez'd and embroidered, capped, and barefooted, and cotton-clad </span><span>employees," he wrote. "In the dining room, every man's own private </span><span>servant standing behind his chair, and dressed for a part in </span><span><em>Arabian Nights."</em></span> <span>But Watson's sheen began to fade, largely </span><span>as a result of</span><span> its </span><span>policy of catering to "Europeans </span><span>only". </span><span>Rumour has it that Indian pioneer industrialist Jamsetji </span><span>Tata </span><span>– the country's </span><span>answer to John Rockefeller </span><span>– was once denied entry to the</span><span> hotel</span><span>, making him so angry that he </span><span>built the Taj Mahal Palace Hotel, Mumbai's most celebrated five-star, which opened in 1903. With 400 rooms, electric lifts, lights, bars, smoking rooms and a hotel orchestra, </span><span>the Taj Mahal Hotel set </span><span>standards so high </span><span>in the city that Watson's Hotel began to be </span><span>viewed as </span><span>its older, tackier cousin. </span><span> </span> <span>It soon slipped further into ignominy. </span><span>When King</span><span> George V and Queen</span><span> Mary of Britain – the Emperor and Empress of India at the time – visited Mumbai in 1911, Watson's Hotel was not even in the reckoning for</span><span> their accommodation. Its newly painted exterior was also trashed by </span><span><em>The Times of India</em></span><span>. "Their majesties, King George V and Queen Mary, will have to pass what we can only suppose is an experiment in garishness, Watson's Hotel, and that building is a good illustration of the dangers to which a sensitive public is exposed," </span><span>an editorial said.</span> <span>At its nadir, Muhammad Ali Jinnah, who later became the found</span><span>er of Pakistan, </span><span>was playing pool at Watson's Hotel to earn</span><span> a little extra money. The place had clearly</span><span> fallen from grace and</span><span> it </span><span>would drop to even shabbier lows</span><span>. By 1960, the once-majestic splendour of its 130 rooms and 20 suites was </span><span>converted into tiny offices and tinier tenements in a </span><span>crowded metropolis.</span> <span>"An astonishing sight greets the tourist visiting Mumbai. Among</span><span> all the grand Victorian buildings in the centre of town is a huge edifice visibly in the process of collapse</span><span>," </span><span><em>The Victorian Web</em></span><span> says. "Large posters warn of its instability and yet incredibly it is still inhabited, not only</span><span> by lawyers' offices but also by families. </span><span>You venture</span><span> inside at </span><span>your own peril to be greeted by an incredible scene of decrepitude and an array of electrical wiring of nightmarish danger."</span> <span>In July</span><span> last year, one person died when a portion of </span><span>the fourth-floor </span><span>balcony </span><span>collapsed, crushing a taxi. It was at this </span><span>point that MHADA ordered </span><span>the building be evacuated. </span><span>That was easier said than done </span><span>at Mumbai's version of The Overlook Hotel from Stanley Kubrick's horror classic </span><span><em>The Shining. </em></span> <span>More than 130 tenants were moved out – among them </span><span>about 20 residential</span><span>, as well as legal firms, an Iranian cafe and Mumbai's oldest tailor</span><span>s, Smart & Hollywood</span><span> – but they have demanded a clearer plan from the government. </span><span>The Indian National Trust for Art and Cultural Heritage</span><span> is also </span><span>expected to</span><span> </span><span>fight any plans for Esplanade Mansion</span><span> to be demolished. </span><span>After all, </span><span>the building is part of India's</span><span> heritage and</span><span> </span><span>should not simply be demolished at will.</span>