<span>G</span><span>rowing up, Sudan was</span><span> a place of mystery for Marwa Zein. While </span><span>her father is Sudanese and her mother </span><span>Egyptian, </span><span>the filmmaker was born in Saudi Arabia in 1985</span><span>. The family </span><span>moved to Egypt</span><span> when she was eight. "In Cairo, I discovered cinema for the first time because there was no cinema in Saudi Arabia," recalls Zein. "I felt liberated while watching movies."</span> <span>She wanted to study film, but her conservative father was </span><span>against it. Refusing to be thwarted, Zein showed the sort of passion and stubbornness that would come in handy when she </span><span>made </span><span><em>Khartoum Offside</em></span><span>. The documentary, which premiered this year, tells the story of female footballers whose dream</span><span> i</span><span>t is</span><span> to play</span><span> for Sudan at </span><span>a Women's World Cup </span><span>hosted by their home country.</span><span> "I enrolled in a chemical engineering course for </span><span>three years and then I worked so hard to have some money to pay for cinema studies," she </span><span>says. "I went behind my parent</span><span>s' back for the first year, but in the second year they found out."</span> <span>A</span><span>t 24, Zein visited </span><span>Sudan for the first time. "I'd always been trying to go</span><span>, but it never worked out. Then in 2010, an Egyptian television channel was looking for someone to cover the separation of Sudan</span><span>," she says, referring to the secession of South Sudan, which was formalised after a referendum in January 2011. "No one wanted to go because they were afraid </span><span>the country was dangerous and disease-ridden. Although I didn't know anything about being a television correspondent, I </span><span>was given the job."</span> <span>Before</span><span> South Sudan gained independence, Sudan was the largest country in Africa. </span><span>Once bordering nine countries, it</span><span> was more than </span><span>a quarter of the size of the U</span><span>S</span><span>. Sudan gained independence from the U</span><span>K</span><span> and Egypt in 1956</span><span> and </span><span>is home to a variety of cultures, religions</span><span> and ethnicities, including those of the sub-Sahara</span><span> </span><span>region and those from the Arab </span><span>world. </span><span> </span> <span>Her time there was an eye-opening experience for the fledgling reporter. "It was a really tragic and extreme experience. I met amazing people who did</span><span>n't believe in the separation and people who had bitter experiences of the civil war and racism."</span> <span>Zein, now 33, says she felt an affinity </span><span>with the country</span><span>. "It allowed me to build up a realistic picture of Sudan and not the dreamy experience created by a diaspora who have never been there</span><span>," she says.</span> <span>It was not long before she returned. "In October 2014, I </span><span>was asked if I'd like to make a five</span><span>-minute documentary about the women's football team in Sudan</span><span>," she says.</span> <span>Zein was immediately enamoured </span><span>with the footballers, although </span><span>the filmmaker says she found it </span><span>difficult to try to tell their story in only five minutes. She was supposed to spend a week there, but stayed for three months </span><span>before </span><span>decid</span><span>ing to make a feature film revolving around the lives of the </span><span>women.</span> <span>"I felt like they could represent my inner soul in a</span><span>n indirect way," </span><span>she says. "They are </span><span>courageous and despite all the obstacles put in their way to stop them from playing football, they don't stop fighting for what they believe in and they are open-minded."</span> <span>Zein </span><span>says she saw an opportunity to talk about Sudan through their stories</span><span>. "I felt that they </span><span>could be the real, honest representatives of the modern Sudanese population. Also, they have a rebel spirit that I couldn't resist</span><span>. They represent the margins of the Sudanese community and that touched me because I always felt like I'm not Saudi in Saudi Arabia, nor Egyptian in Egypt nor Sudanese in Sudan." </span> <span><em>Khartoum Offside </em></span><span>begins with the </span><span>text: </span><span>"Under the current political Islamic military rule, women are not allowed to play football in Sudan </span><span>– and we are not allowed to make films – but …</span><span>"</span> <span>A footballer reveals that it's her dream to play in the </span><span>Women's </span><span>World </span><span>Cup. On the surface, it's a</span><span> lofty ambition. "You're right, it seems unrealistic. But for them, a way to survive is to keep dreaming</span><span>," says Zein. "</span><span>They are </span><span>realistic, they know it's not their generation that will play, but hopefully what they are doing is opening the door for the next generation of players."</span> <span>The documentary was shot over four years</span><span> and was a real labour of love for Zein, but it was also difficult </span><span>to make. She says she was detained twice while filming, which affected her psychologically. She </span><span>also had problems with funding</span><span>, while </span><span>working in Sudan on and off for </span><span>more than four years put a strain on her marriage.</span> <span>But what is remarkable</span><span> is that despite all </span><span>of those difficulties, the tone of the documentary matches the humour and camaraderie </span><span>displayed by the </span><span>players on screen. "I wanted to keep the movie as beautiful, amusing</span><span> and as informative as possible," says</span><span> Zein. "</span><span>I didn't</span><span> want to be too direct with a lot of information. I wanted to include the women's</span><span> black humour."</span> <span>Despite the hardship </span><span>she experienced during the project, she says she wants to make another film about Sudan</span><span>. "I'm now trying to do an informative television documentary that deals with the Sudanese revolution and why it happened</span><span>."</span> <span>But</span><span> why does the filmmaker, who </span><span>currently lives in Cologne, Germany, </span><span>want</span><span> to continue making </span><span>movies in Sudan? "I'm asking myself this question all the time," she says, </span><span>laughing. "I don't know, but I see the magic in the people, they have something unique and authentic."</span> <span><em>Khartoum Offside</em></span><span> </span><span>was given its premiere</span><span> at the Berlin Film Festival in February and </span><span>last month </span><span>had a successful run </span><span>at the Sheffield International Documentary Film Festival. "It's heartwarming showing the film. Finally, you realise that you were not crazy to make</span><span> it. It</span><span> was demanding, </span><span>but the reaction at festivals makes it all seem worth it."</span> <span>But</span><span> some people have still to be convinced. "My father hasn't watched the movie yet," she</span><span> says. "But my mother and my sisters are proud and happy."</span>