After a year of lacklustre ticket sales, it may be up to a group of superheroes and a certain British secret service agent to help global box offices out of last year's slump. However, experts are predicting a slow recovery. <span>According to Reuters, box office receipts plummeted by 80 per cent in 2020, compared with revenue </span><span>in the previous </span><span>year</span><span>. This plunge was expected, however, given </span><span>the number of delayed</span><span> releases and cinema closures brought on by the coronavirus pandemic.</span> A few production companies decided to avoid theatrical releases altogether, such as Disney, which opted to release its long-awaited live-action adaptation of <em>Mulan </em>on to its streaming service, Disney+, in some parts of the world. <span>But as cinemas gradually began to reopen, hopes were initially placed on Christopher Nolan's time-warping action film </span><span><em>Tenet </em></span><span>and Patty Jenkins's superhero sequel </span><span><em>Wonder Woman 1984 </em></span><span>to help boost box office numbers.</span> However, social distancing measures, as well as <span>a reluctant cinema audience</span>, dealt a critical blow to the expectations of theatre operators and production companies. <span>With </span><span><em>Tenet</em></span><span>, Warner Bros was staunchly obscure for a long time about how the film was faring in cinemas. It </span><span>was initially expected to fetch more than $500 million at the box office.</span> <span>British newspaper </span><span><em>The Observer</em></span><span> reported that the </span><span>film needed to earn at least $450m</span><span> to break even. However, it only made </span><span>$350m.</span> "This is not how Warner Bros expected it to go even in their worst-case scenario," Jeff Bock, senior box-office analyst for entertainment research and data company Exhibitor Relations, told entertainment news website <em>Vulture </em>in September, a month after <em>Tenet </em>was released worldwide. “They are not happy with these numbers. I’ve never seen a studio hide anything unless they’re disappointed. If you have something to crow about, they’ll let the world know.” <span><em>Wonder Woman 1984 </em></span><span>did not fare much better. Though the film made the highest box office opening during the pandemic – earning about</span><span> $16</span><span>m</span><span> in North America when it was released in cinemas over Christmas – its overall financial performance has been a bit of a disappointment. It cost $200m</span><span> to make, and raked in $118.5m</span><span> globally; a</span><span> bitter result considering its 2017 predecessor lassoed in more than $822m</span><span>.</span> <span>However, in the US, the film was simultaneously released in cinemas and on the HBO Max streaming service, which no doubt affected its box office performance.</span> <span>It cost $200m</span><span> to make, and raked in $118.5m</span><span> globally; a</span><span> bitter result considering its 2017 predecessor lassoed in more than $822m</span><span>.</span> <span>There is reason to be optimistic, though, especially in light of coronavirus vaccines.</span> <span>Cinema operators and production companies are now counting on some of this year's most anticipated films – most of which were originally scheduled for release last year – to help box office numbers recover. The pressure is squarely on the shoulders of a handful of blockbusters, including the new James Bond film </span><span><em>No Time to Die,</em></span><span> slated for an April release, and the Marvel superhero flick </span><span><em>Black Widow</em></span><span>, scheduled to be </span><span>released in May.</span> <span>"I think we'll see a lot of improvements throughout 2021, but I do think it will take some time to get there," Shawn Robbins, chief analyst at BoxOfficePro.com, told Reuters</span><span><em>. </em></span><span>"It won't be an overnight return to normal by any means."</span> <span>Other big-budget releases that cinema operators and production companies are pinning their hopes on include the new </span><span><em>Fast and Furious </em></span><span>instal</span><span>ment, scheduled for a May release; family-friendly animation </span><span><em>Minions: The Rise of Gru</em></span><span>, slated for a June release; and </span><span><em>Top Gun: Maverick</em></span><span> and Marvel's </span><span><em>Shang-Chi and the Legend of the Ten Rings</em></span><span>, due to be released in July.</span> <span>That's not to say release dates are set in stone</span><span>. Distribution companies are</span><span> wary about when to</span><span> release </span><span>blockbuster films, keeping a watchful eye on the pandemic and the administering of the vaccine.</span> They are also likely to continue releasing films in cinemas and streaming services simultaneously. Warner Bros is planning a dual-release for a further 17 films this year, including <em>Dune</em>, parts of which were filmed in Abu Dhabi. <span>A number of cinema operators in the US, however, are saying that the takings from </span><span><em>Wonder Woman 1984</em></span><span>'s Christmas weekend opening demonstrates that there is</span><span> still an appetite for the cinema experience.</span> <span>"We're seeing week after week our attendance go up," </span><span>Bobbie Bagby Ford, executive vice president of </span><span>B&B Theatres,</span><span> told Reuters. </span><span>She also does not expect the industry to go back to the way things were until vaccination programmes expand and social distancing restrictions can be lifted.</span> “It’s probably going to be the holidays of 2021 before I see us back to full swing."