<span>“It’s the little things that rip you apart,” says Denzel Washington’s police officer in John Lee Hancock’s absorbing new serial killer thriller. “It’s the little things that get you caught.” </span> <span>The director behind the more saccharine </span><span><em>Saving Mr Banks </em></span><span>and </span><span><em>The Blind Side</em></span><span> has gone </span><span>darker than ever before. </span> <span>The story goes, Hancock wrote </span><span><em>The Little Things</em></span><span> in 1993. Steven Spielberg was attached to the project, but opted out. Nearly three decades later, Hancock has returned to the script – a creepy crime drama with a juicy cast, spearheaded by three Oscar-winners: Washington, </span><span><em>Bohemian Rhapsody</em></span><span>'s Rami Malek and </span><span><em>Dallas Buyers Club</em></span><span>'s Jared Leto. </span> <span>Washington is Joe Deacon, a Bakersfield sheriff who winds up back in Los Angeles, where he </span><span>worked for 15 </span><span>years. Why he left is one of the mysteries that hangs over the </span><span>film like a thick </span><span>fog.</span> <span>Hancock more than knows his serial killer movies. The opening scene with a young blonde girl, Tina (Sofia Vassilieva), in her car, alone at night, singing along to the B-52s – is an immediate reminder of Brooke Smith in her vehicle as she trills to Tom Petty's </span><span><em>American Girl </em></span><span>in </span><span><em>The Silence of the Lambs</em></span><span>, still the grand-daddy of all serial killer movies. </span> <span>As the film unfolds, you'll probably </span><span>be reminded of David Fincher's </span><span><em>Se7en</em></span><span>, although, as Hancock was swift to point out to entertainment news website </span><span><em>Deadline</em></span><span>, he wrote the script before the 1995 movie came out.</span> <span>A series of grisly murders are taking place in LA and leading the investigation is Malek's Jim Baxter. When Deacon first shows up, he's not entirely welcome – the two men rub each other the wrong way</span><span>. But Baxter </span><span>knows </span><span>Deacon is a fine cop</span><span> with a sixth sense</span><span> and an empathy for his victims</span><span>.</span> <span>Gradually, the forensically detailed investigation points to Albert Sparma (Leto), a long-haired loner who works a menial job. At this point what has been a simmering drama begins to come to the boil. </span> <span>With brown contact lenses giving his eyes an eerie look, and a physicality and gait that is just delicious, Leto is sensational – his character clearly revelling in the cat-and-mouse game he plays with the law. Is he the killer? Or is he just a sick outsider?</span> <span>Hancock and his vastly experienced cinematographer John Schwartzman, who have shot several movies together including <em>The Founder</em></span><span>, craft a seedy atmosphere in </span><span><em>The Little Things</em></span><span>. </span><span>The film's impressive aesthetic qualities bring another Fincher serial killer movie, </span><span><em>Zodiac</em></span><span>, to mind.</span> <span>With some justification, critics may complain that little space is given to the female victims – they're corpses and nothing more. Really, the film is about its three male protagonists; it's about obsession and the demons you hide in your past. It's also a film about the morally grey vacuum around</span><span> detective work</span><span>.</span> <span>Leading an excellent cast, Washington is ultra-solid here, far surpassing the ex-homicide cop </span><span>he played in 1999's </span><span><em>The Bone Collector</em></span><span>. Malek, too, is a welcome presence, </span><span>as we've been denied his appearance in James Bond film </span><span><em>No Time To Die </em></span><span>due to repeated pandemic-related delays. </span> <span>What results is an old-fashioned thriller, the sort Hollywood has almost forgotten how to make.</span> <em><span>The Little Things is in UAE cinemas from Thursday, January 28</span></em>