<span>It is easy to get</span><span> lost amid</span><span> the 300-plus films on show at this year's Doc NYC, </span><span>the biggest documentary film festival in America. This </span> <span>is </span><span>why the shortlist</span><span> comes in handy: </span><span>it highlights </span><span>15 films the organisers have tipped as</span><span> contenders on the international awards circuit, and t</span><span>his year, there is a strong Middle Eastern</span><span> contingent among them. </span> <span>The 10-day festival, which runs until Friday</span><span>, </span><span>is celebrating its 10th anniversary</span><span>. Expected to attract more than 500 filmmakers and other special guests, it will screen</span> <span> 136 feature-length documentaries, 28 world premieres and</span><span> 26 </span><span>North American premieres</span><span>.</span> <br/> <br/> <span>Two films about Syria have made the shortlist</span><span>: </span><span><em><a href="https://www.thenational.ae/arts-culture/film/for-sama-tackles-the-dichotomy-of-resilience-and-suffering-in-war-torn-syria-1.861534">For Sama</a></em></span><span> and </span><span><em>The Cave</em></span><span>. Doc NYC artistic director Thom Powers tells </span><span><em>The National</em></span><span><em> </em></span><span>he had "no doubt" about selecting each of them, and believes either</span><span> could </span><span>win an Oscar. He says they offer</span><span> a "remarkable insight into Syria's war from a Syrian perspective".</span><span> </span><span> </span> <span><em>For Sama</em></span><span>, directed by Edward Watts and Waad A</span><span>l</span><span> Khateab, has already won the top documentary prizes at </span><span>the Cannes Film Festival and </span><span>South by Southwest</span><span>. It is the f</span><span>irst</span><span> feature-length work by</span><span> A</span><span>l</span><span> Khateab, who shot hundreds of hours of footage on her phone</span><span> and on borrowed cameras over five years during the uprising in Aleppo. Al</span><span> Khateab, who also appears</span><span> in the film</span><span>, has framed </span><span>it as a letter to her daughter, Sama.</span><br/> <span> </span> <span>The documentary</span><span> tells how she f</span><span>alls</span><span> in love with a doctor, Sama's father, who works </span><span>at </span><span>eastern Aleppo's only functioning hospital, the last to be destroyed by the Assad regime. The couple must decide</span><span> whether to</span><span> flee Syria for the sake of their daughter's safety. </span> <span>Syrian director Feras</span><span> Fayyad's </span><span><em>The Cave</em></span><span> also explores the conflict's catastrophic impact on healthcare. It was </span><span>shot from 2016 to 2018</span><span> inside an underground hospital run by female doctors in Ghouta, near Damascus.</span><span> The film</span><span> scooped the People's Choice Documentary Award at this year's Toronto International Film Festival.</span> <span>Fayyad, whose previous </span><span>works include the critically acclaimed </span><span><em>Last Men </em></span><span><em>in Aleppo</em></span><span>,</span><span><em> </em></span><span>focuses on Dr</span><span> Amani Ballor, an</span><span> inspirational paediatrician who must deal with horrific conditions while </span><span>defending herself against chauvinistic men who believe she should be at home doing the housework</span><span>.</span><span><em> </em></span> <span>Powers says</span><span> both </span><span><em>For Sama</em></span><span> and </span><span><em>The Cave</em></span><span> made the shortlist because of</span><span> their "universal themes about resilience in the face of unimaginable adversity". </span><span>It should prove a positive omen</span><span> for the directors of both films, as for the </span><span>past eight years, </span><span>documentaries screened at Doc NYC have gone on to win </span><span>Best Documentary Oscars</span><span>.</span> <br/> <span>The two films</span><span> are the front</span><span> runners from an especially strong showing of </span><span>works from</span><span> the Middle East</span><span>. </span> <span><em>This is Not a Movie</em></span><span> </span><span>profiles </span><span>the veteran</span><span> Middle East correspondent Robert Fisk, </span><span>who has covered </span><span>major conflicts in the region for the past 50 years. The British journalist and author </span><span>was in Beirut in the 1970s and 1980s, where he covered</span><span> the Sabra and Shatila massacre,</span><span> and reported from Afghanistan during the Soviet and US</span><span> invasions, meeting</span><span> Osama bin Laden several times. </span> <span> </span><br/> <span><em>The Human Factor</em></span><span>, by Israeli director Dror Moreh, who was behind the 2012 documentary </span><span><em>The Gatekeepers</em></span><span>, looks at the 25 years of attempted peace negotiations between </span><span>Israel and Palestine</span><span> by the US. </span><span>Among those </span><span>interviewed are</span><span> former leaders of each of the involved nations: </span><span>Bill Clinton from the US, </span><span>Yasser Arafat from Palestine and </span><span>Yitzhak Rabin from Israel.</span> <br/> <span>Another compelling feature is </span><span><em>Advocate</em></span><span><em>, </em></span><span>which follows an Israeli lawyer who has defended Palestinians for half a century,</span><span> including some who were in militias, even though she is labelled</span><span> a traitor</span><span>. </span> <br/> <span>As for the international documentaries, our pick of the highlights include</span><span> </span><span><em>The Capote Tapes</em></span><span> and </span><span><em>Bikram: Yogi, Guru, Predator</em></span><span>. </span><span>The latter, from Academy Award-winning filmmaker Eva Orner, is a chilling expose of</span><span> yoga entrepreneur Bikram Choudhury, who has faced a slew of reports of sexual abuse from yoga teachers he trained.</span> <br/> <span><em>The Capote Tapes</em></span><span> closes out the festival and provides a fresh look at the </span><span>American writer</span><span>, using newly uncovered recordings of interviews with his friends.</span> <span>American-Italian filmmaker </span><span>Martin Scors</span><span>ese will receive a Lifetime Achievement Award for his non-fiction work, as will </span><span>Michael Apted, </span><span>director of the ground</span><span>breaking TV series </span><span><em>Up</em></span><span>.</span>