<span>Egyptian actress and singer Bushra Rozz</span><span>a, </span><span>better known as just Bushra, has made a </span><span>transition from award-winning actress to film festival organiser. </span><span>And she</span><span> has managed </span><span>to do this while also holding down a successful music career, working as a film producer and mothering two children.</span> <span>We </span><span>meet at the El Gouna Film Festival, which took place for the third year in the</span><span> Red Sea resort city in </span><span>Egypt, where Bushra, 42, </span><span>is </span><span>chief </span><span>operating </span><span>officer and one of the co-founders of the event. </span> <span>In so many ways Bushra is the perfect face for the festival</span><span>. Throughout her acclaimed career</span><span> she </span><span>has buil</span><span>t up a following of more than 2.7 million </span><span>on Instagram</span><span>.</span><span> She is </span><span>accessible</span><span> and engaging, and a forward-thinking cinephile. For </span><span>the </span><span>star, </span><span>working at El Gouna is in </span><span>a way similar to acting</span><span>. "It still stems from the same passion for cinema and love of films,</span><span>" she says. </span><span>She </span><span>looks happy, and for good reason. </span><span>This year's </span><span>event </span><span>attracted audience numbers five times </span><span>that of the first</span><span>. </span> <span>The </span><span>selection</span><span> </span><span>at El Gouna, which ended on Friday, </span><span>was eclectic, featuring plenty of </span><span>high-class art-house movies alongside big winners from larger film festivals around the world.</span><span> </span><span><em>Parasite</em></span><span>, </span><span>winner of Cannes's Palme d'Or; </span><span><em>The Weeping Wom</em></span><span>an, which won the Venice Film Festival's Venice Days Award; </span><span>and </span><span><em>Lara</em></span><span>, which took home three awards at the Czech Republic's Karlovy</span><span> Vary Film Festival, </span><span>were screened </span><span>alongside the best in Arab cinema, </span><span>including Maryam Touzani's </span><span><em>Adam</em></span><span>, Lina Alabed's documentary </span><span><em>I</em></span><span><em>brahim: A Fate to Decid</em></span><span><em>e </em></span><span>and </span><span>Oualid Mouaness's </span><span><em>1982</em></span><span>. </span><span>All are auteur-led films questioning society</span><span>, and those are exactly the kinds of </span><span>movies Bushra </span><span>wants people to pay attention to. </span> <span>“Even the cinema in Egypt at the moment is not in its greatest time in terms of production. The commercial cinema is prevailing, but they’re not the kind of films I want to make,” she says. “I really want the kinds of films that we have in this film festival to prevail in the market as well.”</span> <span>Bushra offers some insights into why El Gouna was needed and embraced. "In Egypt there was not really any good film festivals. They were just meeting points for some filmmakers</span><span>," she says</span><span> in reference to the Cairo International Film Festival, which had stuttered for a decade owing to </span><span>financial issues</span><span> and following the</span><span> Arab uprisings.</span><span> "It lost touch because of the lack of care from the organisations and associations that were supposed to look after it."</span> <span>So, she got involved with planning the first</span><span> El Gouna event. The organisers decided that for </span><span>it to succeed, </span><span>they "would go back to the basics" of a film festival. "Why do we have a festival? Why does it happen? Do we just want people to come to a red carpet, wear nice dresses and take nice photos?</span><span> The problem with most Arab film festivals in the region is that it's all about the stars and the red carpets</span><span>," she says. </span> <span>For</span><span> Bushra, film festivals should "contribute to the industry, help filmmakers and help the </span><span>movies themselves get seen in the right frame and in the right form</span><span>". </span><span>The event's CineGouna Platform aims to do just this. An industry-focused event, it was established to support Arab filmmakers with securing funding, </span><span>and it is continu</span><span>ing to grow</span><span>. </span> <span>Having been to </span><span>several film festivals as an actor, </span><span>Bushra knows what she likes. "The smaller </span><span>events around the world are fascinating because you have time to discuss and watch films</span><span>. It's easier to meet people and exchange experiences, and buy and sell films</span><span>," she says. This is something she is aspiring to with El Gouna, and she says t</span><span>his year has been the festival's </span><span>smoothest </span><span>yet. </span> <span>"We are more mature," she says</span><span>. "We've been through a lot of drama</span><span>, conflict</span><span> and struggles, so now we are on more solid ground</span><span>."</span> <span>Going forward, she wants </span><span>El Gouna to encourage more investment in the film business. "Bankers do not see filmmaking in the Arab world as an industry. They don't invest in films as much as concrete." </span> <span>With that, she’s off. There’s more to do.</span>