<span>B</span><span>ryn Terfel's voice has always been a force of nature. </span><span>Audiences in the UAE and Oman have seen his bass-baritone voice reverberate around lush orchestral arrangements when the Welsh singer played at the Abu Dhabi Festival and at the Royal Opera House Muscat in 2013.</span> <span>Now it is Dubai's turn to receive the vocal treatment – this time, however, it will be in a more intimate format and repertoire. The 52-year-old will </span><span>be accompanied by only a piano when performing at Dubai Opera on Sunday, with a programme that include arias and pop standards showcasing his influences. Which begs the question, is this </span><span>Terfel in unplugged mode?</span> <span>“I never looked at it like that. Perhaps you gave me an idea for a new tour,” he chuckles. “Indeed, this is a more stripped-down show where I can perhaps tell a story of the various music that influenced me throughout my career. You know, I am not getting any younger, so I am always grateful whenever I step on stage and perform.”</span> <span>Despite the retrospective nature of the set, Terfel remains an in-demand performer, with engagements ranging from recitals and galas to full-blown opera productions. A scan through his itinerary finds him taking on the role of Scarpia in </span><span><em>Tosca </em></span><span>on New Year's Eve as part of a month-long stint at New York's Metropolitan Opera, followed by a series of concerts and recitals in the United States and Europe that will keep </span><span>him busy</span><span> until July</span><span>.</span> <span>And that is the just the beginning, Terfel explains: he follows the industry standard of having engagements booked up to four years in advance. This</span><span> explains, he states, his recent move </span><span>towards heavier roles in the opera cannon, such as Wotan from Wagner's </span><span><em>The Ring of the Nibelung</em></span><span> and the title role of </span><span><em>Falstaff</em></span><span> in London</span><span> in</span><span> July, is all part of the plan.</span> <span>“I still don’t know if it is a good idea to know what I am doing years from now, but opera houses need certainty when it comes to booking their season,” he concedes.</span> <span>"But there is a lot of nuances when you are moving towards different category of voices. It is about finding the right orchestra, the right conductor and the right venue and,</span><span> most importantly, the right time."</span> <span>Hence, these recitals – which pepper </span><span>his calendar – are a welcome respite from such rigours. With a programme of personal and crowd favourites, it finds Terfel at his most personable and accessible. One of the hallmarks </span><span>is that they will feature pieces from Mozart.</span> <span>Born in the hamlet of Pant Glas in North Wales to a family of farmers, Terfel first had his vocal talents </span><span>noticed in school, before announcing himself to audiences in United Kingdom by</span><span> winning the Lieder Prize at the Cardiff Singer of the World Competition in 1989.</span> <span>That period also included an intensive stint at the prestigious Guildhall School of Music and Drama in London, where in addition to studying great bass-baritone singers such as George London – "whose voice sounds like a cello" – Terfel delved</span><span> into the</span><span> world of Mozart, who had an appreciation for </span><span>that register</span><span> of voice. Terfel would go on to make his debut in 1990 as Guglielmo in Mozart's </span><span><em>Cosi Fan Tutte </em></span><span>at the Welsh National Opera, before going on to take the title role in </span><span><em>The Marriage of Figaro </em></span><span>a year later at the English National Opera. Then came the international engagements, with roles in productions including </span><span><em>The Magic Flute </em></span><span>in Paris and Milan.</span> <span>“That remains the calling card for anyone entering the opera profession,” he says. “Many of the great roles were written by Mozart and I had absolute pure joy singing them. But it was a pretty intense time in that I was singing the role in both English and Italian. Then again, that is the remarkable thing about the human brain – once I learn the opera, then it is in the computer, so to speak, and stored for life.”</span> <span>As Terfel approaches his fourth decade in the music's world most cosmopolitan industry, </span><span>the Cardiff</span><span> resident is proud that he hasn't lost his Welsh roots.</span> <span>If and when his roles start drying up and his schedule becomes</span><span> less gruelling, Terfel says he intends to focus on fostering the next generation of Welsh talent.</span> <span>“I am glad that I am considered as an ambassador for music for Wales,” he says. “This is something I want to do more of once I have time because I absolutely want to work with more young singers.</span> <span>“I like the fact that I live here and am still performing internationally. I think that is important for people to see that I am able to do that and that generally I am part of generation who are helping to plough the way forward for<br/> new artists.”</span> <em>Bryn Terfel performs at Dubai Opera on Sunday. Tickets cost from Dh200 from <a href="http://www.dubaiopera.com">www.dubaiopera.com</a></em><br/> <br/> _______________ <strong>Read more:</strong> _______________