<span>Sometimes </span><span>it's necessary to take a step back </span><span>to progress. That is the rationale behind Mohammed Assaf's </span><span>latest project. </span><span>Before his recent perform</span><span>ance at </span><span>Mawazine Festival in</span><span> Morocco</span><span>, he </span><span>reveals he </span><span>is working on a covers album</span><span> that </span><span>will be</span><span> dedicated to </span><span>Egyptian crooner Abdul Halim Hafiz, who died in 1977.</span> <span>"What I can say is that I have already started this project, which is to renew these songs for a new generation," he explains. "That said, we are still in the early stages</span><span>. We are communicating with his estate about </span><span>doing these songs."</span> <span>Recording covers </span><span>may seem like an unexpected </span><span>career choice for the popular Palestinian singer and former </span><span><em>Arab Idol</em></span><span> winner. His previous album, </span><span><em>Ma Wahashnak</em></span><span>, was </span><span>an entirely modern affair, with its </span><span>rai-pop single </span><span><em>Rani</em></span><span> and </span><span>a collaboration with Cuban reggaeton duo Gente De Zona </span><span>for </span><span><em>Baddek Enayah</em></span><span>. But if you have followed Assaf's career, you will </span><span>know he is a restless spirit. Right now, </span><span>he is riding high in the regional charts with </span><span><em>Makanak Khaly</em></span><span>, his </span><span>latest </span><span>single, an Iraqi pop tune</span><span> </span><span>in which he also sings in the</span><span> Iraqi dialect. Before that, </span><span>he recorded the effervescent </span><span><em>Aywa</em></span><span><em> Haghani</em></span><span>,</span><span><em> </em></span><span>which found him taking on the Egyptian breezy pop style made famous by </span><span>artists such as </span><span>veteran singer Moham</span><span>ed Mounir</span><span>.</span> <span>In a way, </span><span>this diversity all stems </span><span>from his days battling it out each week during the live episodes of </span><span><em>Arab Idol</em></span><span> in 2014. With </span><span>TV viewers often a fickle audience, </span><span>Assaf </span><span>says the talent show </span><span>instilled in him a zeal to keep trying new things when it came to his music.</span> <span>"And if we are really serious about it, that is also the mark of a real artist," he sa</span><span>ys. "From the beginning, I wanted to be known by the diversity of my style</span><span>. And</span><span> with all due </span><span>respect to my colleagues, at the moment, there aren</span><span>'t many people </span><span>trying as many different things as</span><span> I am."</span> <span>But he says</span><span> he is careful about how he experiments with his songs</span><span> and is wary of being considered a novelty act. When it comes to </span><span><em>Makanak Khal</em></span><span><em>y,</em></span><span> Assaf says he wanted to pay tribute to the Iraqi folk music tradition, which is </span><span>currently making huge waves in the Arabic music scene. </span> <span>"This style really is emotional and, as a singer, it really forces you to give it your all. You have to sing it with sincerity," he sa</span><span>ys. "Also, the lyrics discuss various things</span><span>, such as love and the agony of separation. It is not </span><span>only about rhythms</span><span>; the melodies and lyrics need to work together."</span> <span>It is for this reason that Assaf </span><span>looked </span><span>to the work </span><span>of artists he admires</span><span> as inspiration for his latest project. He says </span><span>the success of </span><span><em>Makanak Khal</em></span><span><em>y</em></span><span> can help revive </span><span>a stagnating Arabic pop music industry.</span> <span>"I am not going to lie to you, there is a problem </span><span>in the scene at the moment and it's not the fault of the listeners</span><span>; some of that responsibility lies on the shoulders of us artists ourselves</span><span>," he says. "We can't </span><span>simply say </span><span>we are simply following the market and giving people what they want</span><span>.</span> <span>"I have always discussed the importance of good lyricism and composition and the need to really bring the art back to the music. And this is the reason </span><span>I am increasingly adding more songs from the great classic Arab artists, </span><span>such as Abd</span><span>el Halim Hafez, Mohammed Abd</span><span>el Wahab</span><span>, Umm Kulthum and Fa</span><span>yza Ahmed </span><span>to my sets, because that </span><span>is real art and that should be honoured."</span> <span>Assif wants to pay homage to Hafez</span><span> with a covers album. Not only will it help enrich </span><span>the Palestinian as a singer, he says he hopes his popularity among</span><span> younger music fans will inspire them to </span><span>listen to songs by some of the region's</span><span> past stars. "We need to make an effort to revive traditional Arabic music and in doing so we will then reach a stage where the lyrics </span><span>we are singing about actually mean something," he says. "I am talking about a love that is real and not, I guess, what other songs today are describing it as."</span> <span>That may be</span><span> his intention, but is Assaf perhaps being a little bit unfair to today's romantic</span><span> song writers? After all, </span><span>50 years ago romance </span><span>in the Arab world was a more </span><span>traditional affair. How can we capture that </span><span>vibe in the age of</span><span> Twitter? "Love is not limited to a time and place," </span><span>Assaf says. </span> <span>"I mean, you only need to look at the fact that people who are not from that era are still singing Abd</span><span>el Halim songs. These songs are there because love always endures."</span>