Protesters in Morocco demanding change this month. The Arab Spring is stil big news, and the DFI’s Harrer Harrer programme aims to find some of the stories behind the headlines.
Protesters in Morocco demanding change this month. The Arab Spring is stil big news, and the DFI’s Harrer Harrer programme aims to find some of the stories behind the headlines.

Doha Film Institute's Harrer Harrer programme finds stories in unrest



For many people watching the Arab Spring unfold across the region, the story of the revolution revolves solely around the news reports; from Mohamed Bouazizi's act of self-immolation in Tunisia to 18 days of mass protest in Tahrir Square to violence on the streets of Sana'a. But behind the headlines lie millions of personal narratives, each of which tells a separate tale connected to the uprisings, each offering one of countless differing angles and perspectives.

Although social media have played a role in helping bring some of these stories to light, they've mainly stayed unheard. But a new initiative by the Doha Film Institute is hoping to change this by empowering people to express themselves through storytelling, scriptwriting and filmmaking in ways they might never have done before.

Harrer Harrer (liberate in Arabic) is a series of week-long workshops that has been travelling around the region since the start of June. It began in Amman, before moving on to Cairo and then Beirut, and will also be stopping in Tunis, Marrakech and Jaffa, with plans for other cities to be added to the itinerary in due course. In each location, the Doha Film Institute teams up with a film school or organisation, such as the Royal Film Commission in Jordan or the American University in Cairo, which finds it a space, and also works with a local director who helps give the workshops.

Interest has been high, but sadly logistics have meant that class sizes are relatively small. To apply, students must submit a one-page script and from these, the organisers choose 16 to take part. Over the course of a week, the students discuss their stories and choose the ones that they will then go on to turn into one-minute shorts.

"The whole idea is to fictionalise the revolution and what is happening," says Scandar Copti, the Oscar-nominated director and head of DFI Education. "We come from a patriarchal society that is not trained to make decisions for itself. With this we're trying to build a platform that is a safe environment where everyone can express themselves and make choices in terms of writing, shooting and editing."

Aside from providing technical support and explaining the techniques of storytelling, Copti says the course leaders don't interfere with the content of the scripts.

In just a few weeks, the stories already told have revealed an eye-opening array of opinions and views regarding the revolutions in each country. One of the subjects to have been brought up repeatedly concerns the differences between generations. "There's a lot of emphasis from the participants in the son or daughter wanting to be involved in the change, while the parents are too oppressed to believe it," says Copti. "I've seen it in more than a dozen scripts." Other stories to have emerged include feminist issues - from both male and female writers - plus those rooted directly in painful experience.

Interestingly, the students' opinions of the revolution haven't always looked at change in a positive light. In Cairo, where, because of the number of applicants, 18 scripts were chosen, of which 12 were produced, one of the students was from the Zabbaleen community, the Coptic Christians who have served as the city's informal rubbish collectors for the past 70 years. "He said that he was scared that the change would take away his job, with the municipality organising garbage collection themselves without needing people like him," says Copti.

Helping to provide a broad spectrum of stories from across society, the classes are made up of participants from different walks of life. In Cairo, there were scientists, economists, students and even a network engineer in the workshop. "We only had two filmmaking students," says Ritesh Batra, the project manager of Harrer Harrer, and one of the course leaders who went to Cairo. "We have a pretty broad base."

Aside from the scripts being just one page and the shorts being only one minute in length, one of the stipulations for the story is that it must be fictional, a factor Copti thinks helps to give it greater emphasis. "If you don't have a character when you watch a movie and you don't identify with this character, it never becomes your story. Unlike in documentaries, which are sometimes like news, when you fictionalise something it becomes more personal because you see yourself as the protagonist in the end."

With the reverberations of the Arab Spring still rumbling across the region, there are several places where it's still unsafe to hold the Harrer Harrer workshops. For people who can't attend one of the courses, Copti says a website is being developed. "We want it to be a place of debate and an exchange of thought and emotions."

And it's this new platform for expression that really underlines the whole programme, far greater than the filmmaking skills the students are receiving. "It's not the end product that we're putting a lot of emphasis on. We watch the films once and then go home," says Copti. "It's what they go through in the process that is the great thing about it. We want to help create a society that can make decisions on a very personal level, to create a generation who can speak their mind and express themselves."

There will be an opportunity for people not on the courses to see the output of the workshops, to hear the stories that might otherwise have remained unheard behind the headlines. The films from Harrer Harrer will be showcased as part of a travelling international exhibition, which will be launched at the Doha Tribeca Film Festival in October. While they certainly won't boast the budgets or big names of the films getting red-carpet treatment, the shorts from Harrer Harrer could well be the most important inclusions at this year's festival.

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● Started: 2024

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COMPANY PROFILE
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Based: Dubai
Founders: Alhaan Ahmed, Alyina Ahmed and Maximo Tettamanzi
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Position: legal consultant with Al Rowaad Advocates and Legal Consultants.

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Singham Again

Director: Rohit Shetty

Stars: Ajay Devgn, Kareena Kapoor Khan, Ranveer Singh, Akshay Kumar, Tiger Shroff, Deepika Padukone

Rating: 3/5

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Install an air filter in your home.

Close your windows and turn on the AC.

Shower or bath after being outside.

Wear a face mask.

Stay indoors when conditions are particularly poor.

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Starring: Raed Zeno, Hadi Awada, Dr Mohammad Abdalla

Director: Raed Zeno

Rating: 4/5

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Director: Laila Abbas

Starring: Yasmine Al Massri, Clara Khoury, Kamel El Basha, Ashraf Barhoum

Rating: 4/5

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Best bowling figures: 6-14 – Sohail Tanvir (for Rajasthan Royals against Chennai Super Kings in 2008)

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Best strike-rate in an innings: 1.50 – Suresh Raina (for Chennai Super Kings against Rajasthan Royals in 2011)

Most runs conceded in an innings: 70 – Basil Thampi (for Sunrisers Hyderabad against Royal Challengers Bangalore in 2018)

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Blockchain is a form of distributed ledger technology, a digital system in which data is recorded across multiple places at the same time. Unlike traditional databases, DLTs have no central administrator or centralised data storage. They are transparent because the data is visible and, because they are automatically replicated and impossible to be tampered with, they are secure.

The main difference between blockchain and other forms of DLT is the way data is stored as ‘blocks’ – new transactions are added to the existing ‘chain’ of past transactions, hence the name ‘blockchain’. It is impossible to delete or modify information on the chain due to the replication of blocks across various locations.

Blockchain is mostly associated with cryptocurrency Bitcoin. Due to the inability to tamper with transactions, advocates say this makes the currency more secure and safer than traditional systems. It is maintained by a network of people referred to as ‘miners’, who receive rewards for solving complex mathematical equations that enable transactions to go through.

However, one of the major problems that has come to light has been the presence of illicit material buried in the Bitcoin blockchain, linking it to the dark web.

Other blockchain platforms can offer things like smart contracts, which are automatically implemented when specific conditions from all interested parties are reached, cutting the time involved and the risk of mistakes. Another use could be storing medical records, as patients can be confident their information cannot be changed. The technology can also be used in supply chains, voting and has the potential to used for storing property records.

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The modern-art-filled Ambassador hotel (myconianambassador.gr) is 15 minutes outside Mykonos Town on a hillside 500 metres from the Platis Gialos Beach, with a bus into town every 30 minutes (a taxi costs €15 [Dh66]). The Nammos and Scorpios beach clubs are a 10- to 20-minute walk (or water-taxi ride) away. All 70 rooms have a large balcony, many with a Jacuzzi, and of the 15 suites, five have a plunge pool. There’s also a private eight-bedroom villa. Double rooms cost from €240 (Dh1,063) including breakfast, out of season, and from €595 (Dh2,636) in July/August.

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57kg – Tak Chuen Suen (MAC) beat Phuong Xuan Nguyen (VIE) 29-28; Almaz Sarsembekov (KAZ) beat Zakaria Eljamari (UAE) by points 30-27.

67kg – Mohammed Mardi (UAE) beat Huong The Nguyen (VIE) by points 30-27; Narin Wonglakhon (THA) v Mojtaba Taravati Aram (IRI) by points 29-28.

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63.5kg – Abil Galiyev (KAZ) beat Truong Cao Phat (VIE) 30-27; Nouredine Samir (UAE) beat Norapat Khundam (THA) RSC round 3.

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86kg​​​​​​​ – Ali Takaloo (IRI) beat Mohammed Al Qahtani (KSA) RSC round 1; Emil Umayev (KAZ) beat Ahmad Bahman (UAE) TKO round

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Tax authority targets shisha levy evasion

The Federal Tax Authority will track shisha imports with electronic markers to protect customers and ensure levies have been paid.

Khalid Ali Al Bustani, director of the tax authority, on Sunday said the move is to "prevent tax evasion and support the authority’s tax collection efforts".

The scheme’s first phase, which came into effect on 1st January, 2019, covers all types of imported and domestically produced and distributed cigarettes. As of May 1, importing any type of cigarettes without the digital marks will be prohibited.

He said the latest phase will see imported and locally produced shisha tobacco tracked by the final quarter of this year.

"The FTA also maintains ongoing communication with concerned companies, to help them adapt their systems to meet our requirements and coordinate between all parties involved," he said.

As with cigarettes, shisha was hit with a 100 per cent tax in October 2017, though manufacturers and cafes absorbed some of the costs to prevent prices doubling.

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The biog

Name: Younis Al Balooshi

Nationality: Emirati

Education: Doctorate degree in forensic medicine at the University of Bonn

Hobbies: Drawing and reading books about graphic design

COMPANY PROFILE
Name: Almnssa
Started: August 2020
Founder: Areej Selmi
Based: Gaza
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Price, base / as tested: Dh99,900 / Dh134,900

Engine: 1.6-litre turbocharged four-cylinder

Transmission: Six-speed automatic

Power: 165hp @ 6,000rpm

Torque: 240Nm @ 1,400rpm

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Moon Music

Artist: Coldplay

Label: Parlophone/Atlantic

Number of tracks: 10

Rating: 3/5

How to wear a kandura

Dos

  • Wear the right fabric for the right season and occasion 
  • Always ask for the dress code if you don’t know
  • Wear a white kandura, white ghutra / shemagh (headwear) and black shoes for work 
  • Wear 100 per cent cotton under the kandura as most fabrics are polyester

Don’ts 

  • Wear hamdania for work, always wear a ghutra and agal 
  • Buy a kandura only based on how it feels; ask questions about the fabric and understand what you are buying
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Engine 4.4-litre twin-turbo V8

Power 625hp at 6,000rpm

Torque 750Nm from 1,800-5,800rpm

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Price from Dh700,000 (estimate)

On sale Jan/Feb 2020
 

Martin Sabbagh profile

Job: CEO JCDecaux Middle East

In the role: Since January 2015

Lives: In the UAE

Background: M&A, investment banking

Studied: Corporate finance

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Top financial tips for graduates

Araminta Robertson, of the Financially Mint blog, shares her financial advice for university leavers:

1. Build digital or technical skills: After graduation, people can find it extremely hard to find jobs. From programming to digital marketing, your early twenties are for building skills. Future employers will want people with tech skills.

2. Side hustle: At 16, I lived in a village and started teaching online, as well as doing work as a virtual assistant and marketer. There are six skills you can use online: translation; teaching; programming; digital marketing; design and writing. If you master two, you’ll always be able to make money.

3. Networking: Knowing how to make connections is extremely useful. Use LinkedIn to find people who have the job you want, connect and ask to meet for coffee. Ask how they did it and if they know anyone who can help you. I secured quite a few clients this way.

4. Pay yourself first: The minute you receive any income, put about 15 per cent aside into a savings account you won’t touch, to go towards your emergency fund or to start investing. I do 20 per cent. It helped me start saving immediately.

Everton 1 Stoke City 0
Everton (Rooney 45 1')
Man of the Match Phil Jagielka (Everton)

How to help

Send “thenational” to the following numbers or call the hotline on: 0502955999
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The Intruder

Director: Deon Taylor

Starring: Dennis Quaid, Michael Ealy, Meagan Good

One star

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