Bait Al Naboodah. built around 1845, is one of the Sharjah’s most stunning heritage buildings. Once the home of Obeid Al Naboodah , one of Sharjah’s most successful pearl merchants, the grand two storey building has undergone extensive renovation to return it to its former glory in the heart of old Sharjah. Pawan Singh / The National

Inside the newly restored Bait Al Naboodah in Sharjah - in pictures



The pearl merchant Obeid Al Naboodah was one of the most successful traders in 19th century Sharjah. He grew rich by trading pearls with Africa, France, and particularly India, where the maharajas' appetite for the sea jewels would have put Margaret Thatcher to shame – they draped themselves in pearls, sewed them on to headdresses, and wove them into truly fantastical carpets.

Al Naboodah, says Manal Ataya, the director general of the Sharjah Museums Department, was best known for his generosity. "Obeid used to buy merchants' goods at the end of the working day to ensure that they made a profit," she says. "He helped the poor and needy enormously."

Born into one of the most powerful tribes – his full name is Obaid Bin Isa Bin Ali Al Shamsi, and he was given the nickname of Al Naboodah by his fellow traders – he transformed his father's house into a stunning example of Gulf architecture, with ornate carvings by Persian craftspeople, heavy carved wooden doors, and Ionic columns made of teak imported from India.

“The columns add a very special aesthetic quality to Bait Al Naboodah,” says Ataya. “No other homes or buildings in early Sharjah were decorated with this type of wooden column.”

The house, like most in early Sharjah, encloses a spacious courtyard, and it grew with Al Naboodah's family – he had seven children. It eventually reached more than 10,000 metres and is unique among those of its time for having given separate entrances to the areas that were homes to different sections of the family.

Now, the house has been restored, and is operated as a museum in the Heart of Sharjah. Inside there is a reconstruction of the master bedroom, kitchen area, outdoor seating area, and even the bathroom and shower that the house had. Other rooms have been repurposed to tell the history of Sharjah's once lucrative pearl trade. 

Al Naboodah, who also kept residences in Mumbai and Paris, was exemplary among pearl merchants, but it was a profitable business for many in what was then the Trucial States. However, in the 1930s, a Japanese researcher called Mikimoto Kokichi developed a method to induce oysters to produce pearls, and the natural pearl market in the Gulf plummeted. Bait Al Naboodah stands as a document, not only of Sharjah's past, but of a particular boom and bust cycle – a good reminder that the UAE's economic history is much longer than the 1960s oil boom and the 2008 crash.

The family lived in the house until the 1970s, but it gradually deteriorated as the years took their toll. It was bequeathed to Sharjah Heritage, which undertook an initial renovation in the 1990s. "Before the first restoration, the site drained poorly and water accumulated on the rooftops and around the base of the building, creating cracks in the walls, ceilings and floors," says Ataya. A termite infestation further damaged the house. 

The current renovation team has been careful to preserve the features of the house. When occupied, it would have been full of life. "The courtyard provided an outdoor space for the family to gather," says Ataya, adding that it had trees such as palm and Indian almond. Children would have run noisily up and down the spiral staircases, which are another unusual design feature of the house.

Bait Al Naboodah also placed family and work life in close proximity. "Obaid's majlis was located in a separate building opposite the house," she continues. "It was used for receiving guests and also functioned as an office. Obaid hosted merchants and dignitaries, including sheikhs, who met to discuss trade news and social and political affairs."

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When I visited, on a hot day, the media professionals found themselves lingering upstairs in what is called the "summer rooms", where the family would have lived during the hot months, and maybe others from the neighbourhood too. Bait Al Naboodah reportedly had a better proto-a/c system than most houses of the time.

Air vents upstairs trap the wind and recirculate it throughout the room, cooling it by a number of degrees. The coral walls are porous, meaning air can circulate in and out through those as well.

The house’s innovative cooling system wasn’t just for the family’s comfort – it meant they could remain there during the summer months, and not miss out on any trading.

And even today, though Sharjah Museums has added real air conditioning, the summer rooms are still just a bit cooler.

Explainer: Tanween Design Programme

Non-profit arts studio Tashkeel launched this annual initiative with the intention of supporting budding designers in the UAE. This year, three talents were chosen from hundreds of applicants to be a part of the sixth creative development programme. These are architect Abdulla Al Mulla, interior designer Lana El Samman and graphic designer Yara Habib.

The trio have been guided by experts from the industry over the course of nine months, as they developed their own products that merge their unique styles with traditional elements of Emirati design. This includes laboratory sessions, experimental and collaborative practice, investigation of new business models and evaluation.

It is led by British contemporary design project specialist Helen Voce and mentor Kevin Badni, and offers participants access to experts from across the world, including the likes of UK designer Gareth Neal and multidisciplinary designer and entrepreneur, Sheikh Salem Al Qassimi.

The final pieces are being revealed in a worldwide limited-edition release on the first day of Downtown Designs at Dubai Design Week 2019. Tashkeel will be at stand E31 at the exhibition.

Lisa Ball-Lechgar, deputy director of Tashkeel, said: “The diversity and calibre of the applicants this year … is reflective of the dynamic change that the UAE art and design industry is witnessing, with young creators resolute in making their bold design ideas a reality.”

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COMPANY PROFILE
Name: Almnssa
Started: August 2020
Founder: Areej Selmi
Based: Gaza
Sectors: Internet, e-commerce
Investments: Grants/private funding
Fixtures

Wednesday

4.15pm: Japan v Spain (Group A)

5.30pm: UAE v Italy (Group A)

6.45pm: Russia v Mexico (Group B)

8pm: Iran v Egypt (Group B)

South Africa's T20 squad

Duminy (c), Behardien, Dala, De Villiers, Hendricks, Jonker, Klaasen (wkt), Miller, Morris, Paterson, Phangiso, Phehlukwayo, Shamsi, Smuts.

The%20Mother%20
%3Cp%3E%3Cstrong%3EDirector%3A%3C%2Fstrong%3E%20Niki%20Caro%26nbsp%3B%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EStars%3A%3C%2Fstrong%3E%20Jennifer%20Lopez%2C%20Joseph%20Fiennes%2C%20Gael%20Garcia%20Bernal%2C%20Omari%20Hardwick%20and%20Lucy%20Paez%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ERating%3A%3C%2Fstrong%3E%203%2F5%3C%2Fp%3E%0A
Result

6.30pm: Al Maktoum Challenge Round-3 – Group 1 (PA) $65,000 (Dirt) 2,000m; Winner: Brraq, Ryan Curatolo (jockey), Jean-Claude Pecout (trainer)

7.05pm: Handicap (TB) $65,000 (Turf) 1,800m; Winner: Bright Melody, James Doyle, Charlie Appleby

7.40pm: Meydan Classic – Listed (TB) $88,000 (T) 1,600m; Winner: Naval Crown, Mickael Barzalona, Charlie Appleby

8.15pm: Nad Al Sheba Trophy – Group 3 (TB) $195,000 (T) 2,810m; Winner: Volcanic Sky, Frankie Dettori, Saeed bin Suroor

8.50pm: Dubai Millennium Stakes – Group 3 (TB) $130,000 (T) 2,000m; Winner: Star Safari, William Buick, Charlie Appleby

9.25pm: Meydan Challenge – Listed Handicap (TB) $88,000 (T) 1,400m; Winner: Zainhom, Dane O’Neill, Musabah Al Muhairi

A timeline of the Historical Dictionary of the Arabic Language
  • 2018: Formal work begins
  • November 2021: First 17 volumes launched 
  • November 2022: Additional 19 volumes released
  • October 2023: Another 31 volumes released
  • November 2024: All 127 volumes completed