Dorian Paul Rogers says his new new poetry album, The Phenomenology of Gray, is an interplay and collaboration between himself and Gemini, Google's AI chatbot. Photo: Savannah Lauren
Dorian Paul Rogers says his new new poetry album, The Phenomenology of Gray, is an interplay and collaboration between himself and Gemini, Google's AI chatbot. Photo: Savannah Lauren
Dorian Paul Rogers says his new new poetry album, The Phenomenology of Gray, is an interplay and collaboration between himself and Gemini, Google's AI chatbot. Photo: Savannah Lauren
Dorian Paul Rogers says his new new poetry album, The Phenomenology of Gray, is an interplay and collaboration between himself and Gemini, Google's AI chatbot. Photo: Savannah Lauren

UAE poet teams up with AI for new album


Cody Combs
  • English
  • Arabic

Dorian Paul Rogers, a poet, events curator and teacher in the UAE who goes by the stage name Paul D, has confronted some of the angst among the creative community stemming from artificial intelligence, by collaborating with AI tools for a new poetry album, The Phenomenology of Gray.

“I had some anger, scepticism and fear,” Rogers said, reflecting on when he first heard about various iterations of AI tools several years ago.

“I'm also a teacher, so I saw it [AI] through the educational lens … and I had this negative perspective that AI could be used to cheat an plagiarise.”

It was a TV-news segment, more specifically an episode of 60 Minutes on CBS, that changed how Rogers felt about how AI, and, in turn, how AI tools might be able to complement society.

In that segment, Alphabet-owned Google presented Bard, which later became known as Gemini, the company's AI chatbot that could answer complicated questions, write poetry and even generate photos and drawings.

Dorian Paul Rogers, who goes by the stage name Paul D, said that AI initially scared him as an artist, but he later saw nuance and found ways to compliment his poetry through various tools. Photo: The Arts Centre at NYU Abu Dhabi
Dorian Paul Rogers, who goes by the stage name Paul D, said that AI initially scared him as an artist, but he later saw nuance and found ways to compliment his poetry through various tools. Photo: The Arts Centre at NYU Abu Dhabi

Mr Rogers recalled how the segment helped to expand upon a famous six-word story, “For Sale: Baby shoes, never worn”, by turning it into an in depth story.

“In literature it's known as one of the best six-word stories because it packs so much emotion without describing much,” said Rogers, referring to the news segment. “It was beautiful to see Bard give more explanation, assigning character names.”

“Suddenly a light bulb went off,” he said. “That would be pretty cool to prompt it and see if it could write a poem on self identity.”

Through a series of trial and error efforts with AI chatbot prompts, Rogers was eventually able to get Gemini to reflect on various themes close to his heart, and get it to reach a level of “quality, contemporary poetry.”

“I got very specific. Not only did I say 'give me a free verse' but I said, 'give me free verse poetry that does not rhyme, and let's make the poem reflect about the nostalgia of yard sales',” Rogers said, noting some of his lingering memories from growing up in Ohio and Georgia.

Once he was happy with the end result of his various prompts given to Gemini, Rogers later gave its composed responses a voice through a text-to-voice AI vocal generator application, ElevenLabs.

He later gave the voice and persona a name, Isis.

Rogers voice and lyrics are also prominent throughout the album, giving him the opportunity to compare and contrast with the thoughts provided by Gemini.

The end result is an eleven-track album he titled The Phenomenology of Gray. The inclusion of the word “gray”, said Rogers, is no accident.

“I wanted to play on the concept of grey in terms of black and white … When I was in my younger twenties, I felt certain things were definitely wrong and I needed to act, or certain people were bad just for doing something” he said.

“But I think grey helps to contextualise before we judge people,” he added, noting that the same could be applied to overall perceptions about artificial intelligence.

For all the promise presented by proponents of AI, there are also plenty of concerns. Some warn that the large language models and chatbots could be uncontrollable. Others say that AI could disrupt labour markets at an unprecedented scale, generating unrest across many demographics.

There are also concerns about those who make their living through the humanities and arts – that AI could nullify their skills and commodify the musical, illustrative and creative abilities.

Those fears were recently highlighted during a recent Apple product event, where the company's introduction video showed instruments, paint brushes, easels and various music products all being crushed, eventually revealing that they had all been replaced with an iPad.

“The destruction of the human experience, courtesy of Silicon Valley,” actor Hugh Grant wrote on X, formerly Twitter, immediately after seeing the advertisement.

Actress Justine Bateman asked: “Why did Apple do an ad that crushes the arts?”

Some critics even re-edited the advertisement to give it less of a destructive look. Apple later acknowledged to trade publication AdWeek that the advertisement “missed the mark”.

Several months later, a similar advertisement from Google promoting AI features in the context of the Olympics and athletics generated similar reactions, and was later pulled by the search giant.

In the UAE, where Mr Rogers calls home, the country has sought to be a leader in AI research while also emphasising guardrails for the quickly evolving technology.

Back in 2017, before AI was at the centre of the technology universe, the UAE announced the appointment of country's first AI Minister, Omar Al Olama, making him one of the first in the world to hold such a title.

Several years later, the UAE announced Mohamed bin Zayed University of Artificial Intelligence, the world's first dedicated AI university, to bolster research in the burgeoning computer science field of AI and attract talent from all over the world.

Recently, Sam Altman, founder and chief executive of the much-talked about and prominent AI technology company ChatGPT, told the World Government Summit that the Emirates would be well positioned to be a leader in discussions about a hypothetical global AI watchdog system.

The country also recently became the first in the Arab world to join 49 other countries to become part of the Hiroshima AI Process Friends Group, which is dedicated to AI safety and security.

The UAE's enthusiastic AI embrace, as well as its regulatory approach, has also inspired Mr Rogers with his unique poetry album approach.

“There's a lot of talk about job losses from AI but it could also create thousands of new jobs,” he said. “It's similar to when music went digital, so many people were so fearful, but 20 years later it's our reality, so either we're going to be afraid of it, or we're going to utilise it.”

“I didn't write a poetry album and say 'it's with the assistance of AI', … making it sound like me, I made AI an equal partner,” he explained.

The Phenomenology of Gray is available on YouTube, Spotify and Apple Music.

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From Zero

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Number of tracks: 11

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What is graphene?

Graphene is extracted from graphite and is made up of pure carbon.

It is 200 times more resistant than steel and five times lighter than aluminum.

It conducts electricity better than any other material at room temperature.

It is thought that graphene could boost the useful life of batteries by 10 per cent.

Graphene can also detect cancer cells in the early stages of the disease.

The material was first discovered when Andre Geim and Konstantin Novoselov were 'playing' with graphite at the University of Manchester in 2004.

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Cast: Loujain Adada, Zeina Khoury, Farhana Bodi, Ebraheem Al Samadi, Mona Kattan, and couples Safa & Fahad Siddiqui and DJ Bliss & Danya Mohammed 

Rating: 1/5

In numbers: PKK’s money network in Europe

Germany: PKK collectors typically bring in $18 million in cash a year – amount has trebled since 2010

Revolutionary tax: Investigators say about $2 million a year raised from ‘tax collection’ around Marseille

Extortion: Gunman convicted in 2023 of demanding $10,000 from Kurdish businessman in Stockholm

Drug trade: PKK income claimed by Turkish anti-drugs force in 2024 to be as high as $500 million a year

Denmark: PKK one of two terrorist groups along with Iranian separatists ASMLA to raise “two-digit million amounts”

Contributions: Hundreds of euros expected from typical Kurdish families and thousands from business owners

TV channel: Kurdish Roj TV accounts frozen and went bankrupt after Denmark fined it more than $1 million over PKK links in 2013 

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One in nine do not have enough to eat

Created in 1961, the World Food Programme is pledged to fight hunger worldwide as well as providing emergency food assistance in a crisis.

One of the organisation’s goals is the Zero Hunger Pledge, adopted by the international community in 2015 as one of the 17 Sustainable Goals for Sustainable Development, to end world hunger by 2030.

The WFP, a branch of the United Nations, is funded by voluntary donations from governments, businesses and private donations.

Almost two thirds of its operations currently take place in conflict zones, where it is calculated that people are more than three times likely to suffer from malnutrition than in peaceful countries.

It is currently estimated that one in nine people globally do not have enough to eat.

On any one day, the WFP estimates that it has 5,000 lorries, 20 ships and 70 aircraft on the move.

Outside emergencies, the WFP provides school meals to up to 25 million children in 63 countries, while working with communities to improve nutrition. Where possible, it buys supplies from developing countries to cut down transport cost and boost local economies.

 

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

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How does ToTok work?

The calling app is available to download on Google Play and Apple App Store

To successfully install ToTok, users are asked to enter their phone number and then create a nickname.

The app then gives users the option add their existing phone contacts, allowing them to immediately contact people also using the application by video or voice call or via message.

Users can also invite other contacts to download ToTok to allow them to make contact through the app.

 

When Umm Kulthum performed in Abu Dhabi

  

 

 

 

Known as The Lady of Arabic Song, Umm Kulthum performed in Abu Dhabi on November 28, 1971, as part of celebrations for the fifth anniversary of the accession of Sheikh Zayed bin Sultan Al Nahyan as Ruler of Abu Dhabi. A concert hall was constructed for the event on land that is now Al Nahyan Stadium, behind Al Wahda Mall. The audience were treated to many of Kulthum's most well-known songs as part of the sold-out show, including Aghadan Alqak and Enta Omri.

 
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  • By 2040, global cancer cases are on track to reach 30 million 
  • 70 per cent of cancer deaths occur in low and middle-income countries 
  • This rate is expected to increase to 75 per cent by 2030 
  • At least one third of common cancers are preventable 
  • Genetic mutations play a role in 5 per cent to 10 per cent of cancers 
  • Up to 3.7 million lives could be saved annually by implementing the right health
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  • The total annual economic cost of cancer is $1.16 trillion

   

Day 3 stumps

New Zealand 153 & 249
Pakistan 227 & 37-0 (target 176)

Pakistan require another 139 runs with 10 wickets remaining

The rules on fostering in the UAE

A foster couple or family must:

  • be Muslim, Emirati and be residing in the UAE
  • not be younger than 25 years old
  • not have been convicted of offences or crimes involving moral turpitude
  • be free of infectious diseases or psychological and mental disorders
  • have the ability to support its members and the foster child financially
  • undertake to treat and raise the child in a proper manner and take care of his or her health and well-being
  • A single, divorced or widowed Muslim Emirati female, residing in the UAE may apply to foster a child if she is at least 30 years old and able to support the child financially
Updated: September 07, 2024, 6:05 AM