To get your children to enjoy classical music at an early age, it's best to present it as part of play, not education. Encourage them to draw pictures, dance or even sing along.
To get your children to enjoy classical music at an early age, it's best to present it as part of play, not education. Encourage them to draw pictures, dance or even sing along.

Tune them in early



Given my earliest memories of classical music, it's a miracle I still love the stuff. At the age of six, I remember being forced to listen to Mendelssohn's Scottish Symphony one hot, stuffy summer day at school. Sitting on an uncomfortably hard, wafer-thin carpet among a sea of other equally bored, wriggling children, the waves of big, doomy music never seemed to end. After rolling over and accidentally kicking my neighbour, I was told off and made to stand in a corner. Is there any wonder I've never quite got over my unreasonable but entrenched dislike for Mendelssohn?

Introduced in this heavy-handed way to classical music, many parents worry about putting their children off classical music for life by similar treatment. Waiting for children to be "grown-up enough" for it, however, is a real missed opportunity - classical music's scope for deepening children's cognitive abilities is well-documented. If you get children familiar with classical music at a young age, they will also be spared the fears of many adults, who are often interested in it but scared off by its seriousness and dauntingly huge repertoire.

It's a mistake to see classical music for kids as being solely about education and self-improvement, though - expose them to the incredible beauty and variety of the repertoire, and you'll be creating memories that hook in their brains for life. Surely, anyone would want to open up this new world to their children - but how to go about it? A good start is to present music as part of play, not education. My father (a classical-music obsessive) was very good at this: he used to tell us that the booming opening bars of Beethoven's Fifth Symphony were the sound of a big bad wolf knocking on a cottage door. When we heard them, we would squeal with delight and run for cover behind the sofa, an impulse I still haven't shaken.

Other good strategies are to encourage children to draw pictures to illustrate short pieces of music - what sort of place does the music sound like? What colour would it be? You can also encourage them to dance, or even sing along. The latter may produce little more than an atonal racket, but children enjoy it and are often unaware of how awful they sound. As a child I was convinced I could sing the impossibly elaborate Die Hölle Rache from The Magic Flute perfectly.

Showing children musical films such as Disney's Fantasia is another good option (beyond the excellent animation, the classical pieces in the film are performed very well), as is hunting down footage of talented children on YouTube. Clips such as the one of German teenager Robin Schlotz singing the very same aria from The Magic Flute I mention above can show them that classical music isn't necessarily the preserve of adults alone.

Music lessons are also a great idea, but speaking from personal experience I'd avoid starting them too soon - I started the violin at the age of three (yes, three) but never graduated beyond Twinkle Twinkle Little Star, always loathing the discomfort of the hard violin rubbing my chin. It depends on how keen your children are, but I'd think twice about starting anyone but a prodigy-in-the-making before the age of eight.

As for picking out music to play them, where should you start? There are no fixed rules, but episodic music that includes some sort of storyline often helps capture children's attention. Likewise, music that includes some form of gasp-inducing virtuosity also goes down very well. As a useful starting point, here are 10 pieces of classical music particularly popular with children:

Tchaikovsky's flair for melody makes much of his music very popular with children, but this ballet suite featuring toys and dolls and packed with delightful music-box tunes is probably the best place to start.

This portmanteau piece that matches animals to pieces of music veers between the witty and the lyrical - from the slow cancan of tortoises to the lush sweetness of the swan. Brief and full of incident, it's a piece that children often adore.

This piece written in the 1930s for a Moscow children's theatre attracts kids' attention with its fairy-tale story and showcases the different sections of the orchestra nicely.

The delightful, breathtakingly inventive music of this comic opera is perfect for children - child singers even feature in the cast. The whole work would be too much for most young people, but even tiny children love the incredible vocal acrobatics of Die Hölle Rache, the Queen of the Night's famous aria.

Memorable, hugely varied and even rather catchy, Mussorgsky's piece that describes three paintings is a great one to draw pictures along to, with the score taking inspiration and much colour from Russian folk tales.

Perhaps better for older children, this intense, occasionally frightening ballet score is packed with drama and variety. Older children are often fascinated with the ballet's ghoulish subject - a young maiden being made to dance until she dies as a sacrifice for the pagan gods.

This symphony's opening bars are the most iconic piece of classical music for a reason - thrillingly dramatic, it shows children early on just how rich and powerful an orchestra can sound.

The seasons really come alive in this deservedly popular piece, with instruments mimicking buzzing flies, and barking dogs. There's also some incredible bravura violin playing that can command the attention of even a toddler.

A wonderful expression of pure joy, this famous excerpt from The Messiah always gets children's attention with its beautiful counterpoint and bounding excitement.

Britten's variations on a theme by Purcell are a bit too self-consciously instructive to hide their educational purpose - but for children who are already fascinated by instruments, or considering learning one, it is a clear, un-patronising way of discovering what they sound like.

COMPANY PROFILE
Name: HyperSpace
 
Started: 2020
 
Founders: Alexander Heller, Rama Allen and Desi Gonzalez
 
Based: Dubai, UAE
 
Sector: Entertainment 
 
Number of staff: 210 
 
Investment raised: $75 million from investors including Galaxy Interactive, Riyadh Season, Sega Ventures and Apis Venture Partners
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Cricket World Cup League 2

UAE squad

Rahul Chopra (captain), Aayan Afzal Khan, Ali Naseer, Aryansh Sharma, Basil Hameed, Dhruv Parashar, Junaid Siddique, Muhammad Farooq, Muhammad Jawadullah, Muhammad Waseem, Omid Rahman, Rahul Bhatia, Tanish Suri, Vishnu Sukumaran, Vriitya Aravind

Fixtures

Friday, November 1 – Oman v UAE
Sunday, November 3 – UAE v Netherlands
Thursday, November 7 – UAE v Oman
Saturday, November 9 – Netherlands v UAE

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'Moonshot'

Director: Chris Winterbauer

Stars: Lana Condor and Cole Sprouse 

Rating: 3/5

Our legal consultants

Name: Hassan Mohsen Elhais

Position: legal consultant with Al Rowaad Advocates and Legal Consultants.

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WHAT ARE NFTs?

     

 

    

 

   

 

Non-fungible tokens (NFTs) are tokens that represent ownership of unique items. They allow the tokenisation of things such as art, collectibles and even real estate.

 

An NFT can have only one official owner at one time. And since they're minted and secured on the Ethereum blockchain, no one can modify the record of ownership, not even copy-paste it into a new one.

 

This means NFTs are not interchangeable and cannot be exchanged with other items. In contrast, fungible items, such as fiat currencies, can be exchanged because their value defines them rather than their unique properties.

 
Results:

CSIL 2-star 145cm One Round with Jump-Off

1.           Alice Debany Clero (USA) on Amareusa S 38.83 seconds

2.           Anikka Sande (NOR) For Cash 2 39.09

3.           Georgia Tame (GBR) Cash Up 39.42

4.           Nadia Taryam (UAE) Askaria 3 39.63

5.           Miriam Schneider (GER) Fidelius G 47.74

The National Archives, Abu Dhabi

Founded over 50 years ago, the National Archives collects valuable historical material relating to the UAE, and is the oldest and richest archive relating to the Arabian Gulf.

Much of the material can be viewed on line at the Arabian Gulf Digital Archive - https://www.agda.ae/en

PREMIER LEAGUE RESULTS

Bournemouth 1 Manchester City 2
Watford 0 Brighton and Hove Albion 0
Newcastle United 3 West Ham United 0
Huddersfield Town 0 Southampton 0
Crystal Palace 0 Swansea City 2
Manchester United 2 Leicester City 0
West Bromwich Albion 1 Stoke City 1
Chelsea 2 Everton 0
Tottenham Hotspur 1 Burnley 1
Liverpool 4 Arsenal 0

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Thank You for Banking with Us

Director: Laila Abbas

Starring: Yasmine Al Massri, Clara Khoury, Kamel El Basha, Ashraf Barhoum

Rating: 4/5

Key changes

Commission caps

For life insurance products with a savings component, Peter Hodgins of Clyde & Co said different caps apply to the saving and protection elements:

• For the saving component, a cap of 4.5 per cent of the annualised premium per year (which may not exceed 90 per cent of the annualised premium over the policy term). 

• On the protection component, there is a cap  of 10 per cent of the annualised premium per year (which may not exceed 160 per cent of the annualised premium over the policy term).

• Indemnity commission, the amount of commission that can be advanced to a product salesperson, can be 50 per cent of the annualised premium for the first year or 50 per cent of the total commissions on the policy calculated. 

• The remaining commission after deduction of the indemnity commission is paid equally over the premium payment term.

• For pure protection products, which only offer a life insurance component, the maximum commission will be 10 per cent of the annualised premium multiplied by the length of the policy in years.

Disclosure

Customers must now be provided with a full illustration of the product they are buying to ensure they understand the potential returns on savings products as well as the effects of any charges. There is also a “free-look” period of 30 days, where insurers must provide a full refund if the buyer wishes to cancel the policy.

“The illustration should provide for at least two scenarios to illustrate the performance of the product,” said Mr Hodgins. “All illustrations are required to be signed by the customer.”

Another illustration must outline surrender charges to ensure they understand the costs of exiting a fixed-term product early.

Illustrations must also be kept updatedand insurers must provide information on the top five investment funds available annually, including at least five years' performance data.

“This may be segregated based on the risk appetite of the customer (in which case, the top five funds for each segment must be provided),” said Mr Hodgins.

Product providers must also disclose the ratio of protection benefit to savings benefits. If a protection benefit ratio is less than 10 per cent "the product must carry a warning stating that it has limited or no protection benefit" Mr Hodgins added.

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Your rights as an employee

The government has taken an increasingly tough line against companies that fail to pay employees on time. Three years ago, the Cabinet passed a decree allowing the government to halt the granting of work permits to companies with wage backlogs.

The new measures passed by the Cabinet in 2016 were an update to the Wage Protection System, which is in place to track whether a company pays its employees on time or not.

If wages are 10 days late, the new measures kick in and the company is alerted it is in breach of labour rules. If wages remain unpaid for a total of 16 days, the authorities can cancel work permits, effectively shutting off operations. Fines of up to Dh5,000 per unpaid employee follow after 60 days.

Despite those measures, late payments remain an issue, particularly in the construction sector. Smaller contractors, such as electrical, plumbing and fit-out businesses, often blame the bigger companies that hire them for wages being late.

The authorities have urged employees to report their companies at the labour ministry or Tawafuq service centres — there are 15 in Abu Dhabi.

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Moon Music

Artist: Coldplay

Label: Parlophone/Atlantic

Number of tracks: 10

Rating: 3/5

The specs
 
Engine: 3.0-litre six-cylinder turbo
Power: 398hp from 5,250rpm
Torque: 580Nm at 1,900-4,800rpm
Transmission: Eight-speed auto
Fuel economy, combined: 6.5L/100km
On sale: December
Price: From Dh330,000 (estimate)
The specs
Engine: Long-range single or dual motor with 200kW or 400kW battery
Power: 268bhp / 536bhp
Torque: 343Nm / 686Nm
Transmission: Single-speed automatic
Max touring range: 620km / 590km
Price: From Dh250,000 (estimated)
On sale: Later this year
The team

Videographer: Jear Velasquez 

Photography: Romeo Perez 

Fashion director: Sarah Maisey 

Make-up: Gulum Erzincan at Art Factory 

Models: Meti and Clinton at MMG 

Video assistant: Zanong Maget 

Social media: Fatima Al Mahmoud  

Tree of Hell

Starring: Raed Zeno, Hadi Awada, Dr Mohammad Abdalla

Director: Raed Zeno

Rating: 4/5

MATCH INFO

Leeds United 0

Brighton 1 (Maupay 17')

Man of the match: Ben White (Brighton)

THE BIO:

Sabri Razouk, 74

Athlete and fitness trainer 

Married, father of six

Favourite exercise: Bench press

Must-eat weekly meal: Steak with beans, carrots, broccoli, crust and corn

Power drink: A glass of yoghurt

Role model: Any good man

If you go

The flights
Emirates (www.emirates.com) and Etihad (www.etihad.com) both fly direct to Bengaluru, with return fares from Dh 1240. From Bengaluru airport, Coorg is a five-hour drive by car.

The hotels
The Tamara (www.thetamara.com) is located inside a working coffee plantation and offers individual villas with sprawling views of the hills (tariff from Dh1,300, including taxes and breakfast).

When to go
Coorg is an all-year destination, with the peak season for travel extending from the cooler months between October and March.

Joker: Folie a Deux

Starring: Joaquin Phoenix, Lady Gaga, Brendan Gleeson

Director: Todd Phillips 

Rating: 2/5