The arts festival will be running across various Sharjah venues until June 15. Photo: Motaz Mawid / Sharjah Art Foundation
The arts festival will be running across various Sharjah venues until June 15. Photo: Motaz Mawid / Sharjah Art Foundation
The arts festival will be running across various Sharjah venues until June 15. Photo: Motaz Mawid / Sharjah Art Foundation
The arts festival will be running across various Sharjah venues until June 15. Photo: Motaz Mawid / Sharjah Art Foundation

Sharjah Biennial returns with powerful message of solidarity


Razmig Bedirian
  • English
  • Arabic

Sharjah Biennial returns on Thursday, showcasing more than 650 works of contemporary art across the emirate.

The event, which will be running until June 15, is being held under the title To Carry, a theme which reflects the memories and traditions we individually carry with us.

The works interpret the theme in several ways, touching on migrant experiences, sidelined histories or re-examining ancient customs in a new light.

Sheikha Hoor Al Qasimi, president and director of the Sharjah Art Foundation, the organising body behind the biennial, said the event is a celebration of diverse practices and cultures as much as it is a moment of international solidarity.

“The biennial had its first edition in April 1993, 32 years ago, making it the longest continuously running biennial in the region,” she said. The event, Sheikha Hoor added, has developed over the years, achieving “remarkable acclaim and an unassailable reputation, both regionally and internationally".

From left, curators Natasha Ginwala, Amal Khalaf, Zeynep Oz, Alia Swastika and Megan Tamati-Quennell. Photo: Sharjah Art Foundation
From left, curators Natasha Ginwala, Amal Khalaf, Zeynep Oz, Alia Swastika and Megan Tamati-Quennell. Photo: Sharjah Art Foundation

This year builds on that history, she said. “These 650 works offer us an evolving collection of narratives across time, place, ideas and cultures, elaborating on the biennial theme of what to carry and how to carry it,” she added.

Works by almost 200 artists are on show across 17 locations in Sharjah, extending beyond the city to sites in Al Hamriyah, Al Dhaid and Kalba.

The biennial has been curated by Alia Swastika, Amal Khalaf, Megan Tamati-Quennell, Natasha Ginwala and Zeynep Oz. The curators come from disparate practices and backgrounds. Their research ranges from the role of storytelling in collective learning and activism to explorations of societal and economic systems. As such, each has brought a distinct focus to the biennial and its theme. This diversity is reflected in the exhibited works.

“As we engage with the biennial, you'll sometimes find the projects of different curators converging within a single venue,” Sheikha Hoor said. “At other sites, the story of one curator unfolds across the entire space.”

Given the event’s theme, Sheikha Hoor said it was important to take a moment and recognise the tribulations of those in less fortunate places around the globe.

“Before I end my speech, I would like to just ask everyone to keep in mind the people of Palestine, Lebanon, Sudan, the Congo, Armenia and all other parts of the world where people are less fortunate than ourselves,” she said.

“We have to be in solidarity. If there's anything we learnt from our fathers and grandfathers and mothers, it is that they had such immense solidarities and there is a beauty in coming together and being in solidarity with one another. I hope with us being in solidarity, we can pray and hope for a better future and for a free Palestine.”

The more serious side of specialty coffee

While the taste of beans and freshness of roast is paramount to the specialty coffee scene, so is sustainability and workers’ rights.

The bulk of genuine specialty coffee companies aim to improve on these elements in every stage of production via direct relationships with farmers. For instance, Mokha 1450 on Al Wasl Road strives to work predominantly with women-owned and -operated coffee organisations, including female farmers in the Sabree mountains of Yemen.

Because, as the boutique’s owner, Garfield Kerr, points out: “women represent over 90 per cent of the coffee value chain, but are woefully underrepresented in less than 10 per cent of ownership and management throughout the global coffee industry.”

One of the UAE’s largest suppliers of green (meaning not-yet-roasted) beans, Raw Coffee, is a founding member of the Partnership of Gender Equity, which aims to empower female coffee farmers and harvesters.

Also, globally, many companies have found the perfect way to recycle old coffee grounds: they create the perfect fertile soil in which to grow mushrooms. 

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Points tally

1. Australia 52; 2. New Zealand 44; 3. South Africa 36; 4. Sri Lanka 35; 5. UAE 27; 6. India 27; 7. England 26; 8. Singapore 8; 9. Malaysia 3

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Updated: February 05, 2025, 12:24 PM