The Pyxis of Al-Mughira at Louvre Abu Dhabi is currently on loan from the museum’s counterpart in France, having arrived in November last year.
The artefact comes as a striking example of the royal ivory-carving tradition of Al-Andalus, the Muslim kingdom that ruled areas of the Iberian Peninsula at various times between the 8th and 15th centuries.
The cylindrical Andalusian box, which will remain in the Louvre Abu Dhabi until November 2026, was made in the 10th century, in the royal workshops of Madinat al-Zahra, the palace city near modern-day Cordoba. It is crafted from a single piece of elephant tusk.
Scenes reflecting the might and agency of the Umayyads, the dynasty who ruled the area at the time, have been intricately engraved on the container. These include figures on thrones, lions attacking bulls, horsemen picking dates, and those removing falcon eggs from nests.
The forms are minutely carved. The spaces between them are engraved to a thickness of just a few millimeters, letting light pass through and giving the humans, animals and flora on the pyxis a three-dimensional quality.
The pyxis is small enough to be held with one hand. Yet, its "importance exceeds far larger than its physical size," says Fakhera Alkindi, senior curatorial assistant at Louvre Abu Dhabi.
An aspect of this importance is the craftsmanship of the artefact, and the "remarkable mastery" required to produce something so intricate on a material as delicate as ivory.
“Certain areas are engraved to a thickness of only three millimeters, which allowed for an effective translucency once light is projected through the object,” Alkindi says.
The iconography, she adds, has gone through several scholarly interpretations from contexts that range from political to astrological. As such, some mystery still surrounds the pyxis.
However, one thing is certain and that is the artefact’s original recipient. An inscription crowning the pyxis in a Kufic script wishes a happy destiny to Prince Al-Mughira, half-brother of Caliph al-Hakam II, the second Umayyad caliph of Cordoba, who ruled from the years 961 to 976. The inscription also bares the date of manufacturing.
“It was made in the year 968,” Alkindi says. “The precious box was presented as a gift to the Prince Al-Mughira and represents an important moment within the history of the Umayyads of Spain and the larger Islamic history.
"It stands as a material testimony to the cultural prosperity and technical virtuosity of this period in Al-Andalus, particularly within the commercial and cultural hub of Madinat al-Zahra, which hosted a flourishing environment of artistic and architectural production.”
Several considerations were taken when thinking about how the pyxis would be presented at Louvre Abu Dhabi, Alkindi says.
The artefact has been given its own space within the permanent galleries. Multimedia elements accentuate the intricacies of the its craftsmanship, zooming into its medallions and engravings.
“This masterpiece of Islamic art, carrying a lot of historical, aesthetic and technical importance, required a special display,” Alkindi says.
“The pyxis takes centre stage within a dedicated gallery. The material quality and the virtuosity of its craftsmanship is further highlighted by a near 180 degree monumental projection screen surrounding both the visitor and the artwork.”
Four marble capitals produced around the same time period are also displayed around the box. The capitals, which once crowned lofty columns in Al-Andalus, feature splaying floral and geometric designs that echo the engravings on the Pyxis.
They were likewise crafted in Madinat al-Zahra, Alkindi says, explaining that "they evoke the context in which the Pyxis was produced”.
The scenography is further enhanced with the sound of oud. The musical element, composed by Iraqi composer Naseer Shamma, takes several cues from the culture of Al-Andalus and is inspired from the works of the ninth-century musician Ziryab.
“We wished to mediate many aspects of the pyxis,” Alkindi says. “From the historical context, the cultural context, the technical developments that allowed for such an object to come to life, and the vibrant cultural centre of Madinat al-Zahra.”
The Pyxis of Al-Mughira is on display at Louvre Abu Dhabi until November 2026.
Classification of skills
A worker is categorised as skilled by the MOHRE based on nine levels given in the International Standard Classification of Occupations (ISCO) issued by the International Labour Organisation.
A skilled worker would be someone at a professional level (levels 1 – 5) which includes managers, professionals, technicians and associate professionals, clerical support workers, and service and sales workers.
The worker must also have an attested educational certificate higher than secondary or an equivalent certification, and earn a monthly salary of at least Dh4,000.
Labour dispute
The insured employee may still file an ILOE claim even if a labour dispute is ongoing post termination, but the insurer may suspend or reject payment, until the courts resolve the dispute, especially if the reason for termination is contested. The outcome of the labour court proceedings can directly affect eligibility.
- Abdullah Ishnaneh, Partner, BSA Law
Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.
Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.
“Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.
Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.
“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.
Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.
From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.
Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.
BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.
Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.
Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.
“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.
Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.
“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.
“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”
The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”
UAE currency: the story behind the money in your pockets
Other acts on the Jazz Garden bill
Sharrie Williams
The American singer is hugely respected in blues circles due to her passionate vocals and songwriting. Born and raised in Michigan, Williams began recording and touring as a teenage gospel singer. Her career took off with the blues band The Wiseguys. Such was the acclaim of their live shows that they toured throughout Europe and in Africa. As a solo artist, Williams has also collaborated with the likes of the late Dizzy Gillespie, Van Morrison and Mavis Staples.
Lin Rountree
An accomplished smooth jazz artist who blends his chilled approach with R‘n’B. Trained at the Duke Ellington School of the Arts in Washington, DC, Rountree formed his own band in 2004. He has also recorded with the likes of Kem, Dwele and Conya Doss. He comes to Dubai on the back of his new single Pass The Groove, from his forthcoming 2018 album Stronger Still, which may follow his five previous solo albums in cracking the top 10 of the US jazz charts.
Anita Williams
Dubai-based singer Anita Williams will open the night with a set of covers and swing, jazz and blues standards that made her an in-demand singer across the emirate. The Irish singer has been performing in Dubai since 2008 at venues such as MusicHall and Voda Bar. Her Jazz Garden appearance is career highlight as she will use the event to perform the original song Big Blue Eyes, the single from her debut solo album, due for release soon.
