A beaten-up red Mercedes serves as the surprising centrepiece for Arabicity, an exhibition of contemporary art from the Arab world, which opened last week in Beirut. Rusted, dented and stripped of its hood ornament, the car nearly creaks under the weight of a towering stack of household belongings piled high onto its roof. There are bedrolls, suitcases, plastic buckets, kitchen appliances, tables, chairs, a ladder, a toolbox, a bicycle, and lumps of even more stuff bundled into bright floral fabrics - all of which bring to mind a sadly ordinary sight, particularly in South Lebanon, of a family fleeing some known or unknown calamity. Crisscrossing strands of colourful twine hold everything together. On top of this comical and exaggerated assemblage, there is a painting, held in a crude wooden frame, of a young boy with eyes full of sorrow, possibly fear. And then, the whole thing starts to spin: the car sits on a platform ringed in neon that rotates at regular intervals, periodically turning on its axis a few times before coming back to rest.
Ayman Baalbaki's Destination X, from 2010, is one of more than 40 artworks included in the exhibition, curated by Rose Issa for the Beirut Exhibition Center. At once a monumental sculpture, a motorised spectacle and an audacious take on the readymade, Baalbaki's installation marks the latest step in the development of a young artist who was trained primarily as a painter but who has been experimenting more and more with mixed media and three-dimensional forms. Arabicity features six of his works, and together they track this progression - from acrylic paintings on fabric and canvas to the integration of lights, gold leaf and everyday objects (a street vendor's cart, a storefront shutter) to the execution of enormous, eye-popping installations. The major themes Baalbaki has been exploring for the past seven years or so - ruins, refugees and the iconography of political violence as expressed through the keffiyeh, the army-issue helmet and the Abu Ghraib hood - are also in evidence.
To cover the full range of an artist's practice in such a tight selection of works, and in the context of a show that is equally generous to the oeuvre of eight other artists, is a sign of incisive curating. In this regard Arabicity is both similar to and entirely different from other recent exhibitions of contemporary art from the Middle East - similar, in that the show is ultimately just a regional sampler; different, in that it exudes an easy familiarity with the formal and conceptual concerns of the works themselves, and an intuitive sense of how they fit together.
With key pieces by Baalbaki, Basel Abbas and Ruanne Abou-Rahme, Buthayna Ali, Chant Avedissian, Hassan Hajjaj, Susan Hefuna, Fathi Hassan and Raeda Saadeh, Arabicity privileges crisp formalism and a decorative sensibility. All of the works on view are big and bold. They hinge, for the most part, on pattern and repetition. They deliver a strong shot of visual pleasure, while the more subversive or disruptive aspects of each work rumble quietly in the background.
Chant Avedissian's installation Icons of the Nile, from 1991-2004, for example, consists of 120 stencils in pigment and gum Arabic on recycled cardboard, all arranged in a neat grid that spreads across three walls. At first glance, the work appears to be a grand celebration of colourful Egyptian kitsch, all princes, pop stars and politicians. But the most familiar iconography - the faces of Umm Kulthoum, Gamal Abdel Nasser and King Farouk, for example - jostles alongside images of the Egyptian feminist Doria Shafik and the modernist thinker Jamal al Din al Afghani, of young men and women working, voting, spending leisure time with their families, of the Nefertiti sewing machine and an Egyptian rocket soaring past the moon. This is not straightforward replication but a sustained rumination on the circulation of images, and the various purposes they serve.
Hassan Hajjaj's vibrant colour-saturated photographs of stylish, street-savvy young men and women in Marrakech, surrounded by wooden frames filled with soft drink cans and matchboxes, would seem to commemorate the slick surfaces of consumer culture. But these works also probe a subculture of counterfeit goods, fearless appropriation and endlessly recycled fashion. Likewise, Raeda Saadeh's photographs emulate famous paintings. But her Mona Lisa - after Leonardo da Vinci's masterpiece - is poised before a landscape of Israeli settlements, her milkmaid - after Vermeer's The Milkmaid - in a house robbed of its roof.
Of Iranian and Lebanese origin, Rose Issa was born in Iran and moved to Lebanon at the age of 13. She graduated from the American University of Beirut with a degree in mathematics in 1972. Her first love was radio, her second film. To protest the Israeli invasion of Lebanon in 1982, she organised a festival of Arab filmmakers in Paris. A few years later, she helped to open a gallery in London specialising in modern masters from the Middle East. Since then, she has been one of the most active behind-the-scenes promoters of Arab culture on the international stage. A few years ago, she opened a space in London called Rose Issa Projects. Although open by appointment only, it offers an exhibition programme worthy of a gallery or a small arts institution (her 2009 presentation of the artist Khalil Rabah's installation United States of Palestine Airlines, London Office, made particularly good use of the space). Issa also curates exhibitions, produces works, acts as a de facto agent for artists, writes books, publishes monographs, collects and deals - though she insists that she only sells to people she knows, and from whom she can borrow later for shows.
Perhaps because she has been in the business for so long, she doesn't have quite the same public profile of the current generation of curators active in the field - curators who have either come lately to contemporary Arab art or who have developed their skills alongside the artists they show. Issa shrugs off some of the more ambitious of these players as thieves, which would seem to confirm her reputation for being difficult, and for not working especially well with others. (One source of scepticism about her work is the way she blurs the line between commercial and non-commercial pursuits). But at a time when so many exhibitions of art from the region come off as awkward, reductive or simply mercenary, Issa deserves credit for always putting the works of the artists first. If she wears the robes of a cultural ambassador - as she did in 2008 when she organised Reorientations: Contemporary Arab Representations for the European Parliament's Arab Week in Brussels - then she does so lightly and with style.
A smaller version of the Arabicity exhibition was staged in Liverpool earlier this year, where it earned a few passionless, descriptive reviews. The Beirut iteration is the second show to fill the new Beirut Exhibition Center, which opened in June in a temporary venue designed by the New York-based architecture firm L.E.F.T. (its folded, mirrored façade, a luxurious take on the corrugated tin roofs of shantytowns worldwide, is still unfinished on the back side of the building).
Located just inside the entrance to the new waterfront district, a stretch of reclaimed land that is still lodged in many people's minds as a civil war-era dumpsite, the Beirut Exhibition Center is owned and operated by Solidere, the private real-estate corporation in charge of redeveloping Beirut's downtown district. As such the art space is meant to serve as an early attractor, pulling people onto the site before it fills in with luxury apartments and conference centres (it is run by Solidere's public relations office, as a public relations initiative). With no artistic director, no curator, and little transparency about its programming, the space is a kunsthalle without an operating structure - an empty shell. And there is a sharp irony here. Ayman Baalbaki's work stems from his experience of being displaced three times: once by the Israeli occupation of South Lebanon, again by the war in 2006, and in between by Solidere bulldozing his house in Wadi Abu Jamil. This is glossed over in the accompanying wall text and catalogue, with blame placed vaguely on "developers".
Yet if the exhibition is an accurate indication of what is to come, then the Beirut Exhibition Center may ultimately serve an admirable purpose, providing a well-equipped space for beautifully installed, meticulously lit shows in a city with few such venues. Until now, none but the National Museum were open on Sundays, when the majority of the city's population enjoys its leisure time. In itself, Arabicity is a conventional show. The fiercely critical, philosophically probing contemporary art projects that truly seek to alter the terms of political discourse in Lebanon and beyond are elsewhere. Yet it brings a new level of accomplishment and polish to Beirut's exhibition culture: a rotating neon platform, as it were, for what remains a heavily loaded and chaotic vehicle.
Kaelen Wilson-Goldie is a staff writer for The Review in Beirut.
A State of Passion
Directors: Carol Mansour and Muna Khalidi
Stars: Dr Ghassan Abu-Sittah
Rating: 4/5
How to register as a donor
1) Organ donors can register on the Hayat app, run by the Ministry of Health and Prevention
2) There are about 11,000 patients in the country in need of organ transplants
3) People must be over 21. Emiratis and residents can register.
4) The campaign uses the hashtag #donate_hope
The specs
Engine: 2.0-litre 4-cylinder turbo
Power: 240hp at 5,500rpm
Torque: 390Nm at 3,000rpm
Transmission: eight-speed auto
Price: from Dh122,745
On sale: now
Dr Afridi's warning signs of digital addiction
Spending an excessive amount of time on the phone.
Neglecting personal, social, or academic responsibilities.
Losing interest in other activities or hobbies that were once enjoyed.
Having withdrawal symptoms like feeling anxious, restless, or upset when the technology is not available.
Experiencing sleep disturbances or changes in sleep patterns.
What are the guidelines?
Under 18 months: Avoid screen time altogether, except for video chatting with family.
Aged 18-24 months: If screens are introduced, it should be high-quality content watched with a caregiver to help the child understand what they are seeing.
Aged 2-5 years: Limit to one-hour per day of high-quality programming, with co-viewing whenever possible.
Aged 6-12 years: Set consistent limits on screen time to ensure it does not interfere with sleep, physical activity, or social interactions.
Teenagers: Encourage a balanced approach – screens should not replace sleep, exercise, or face-to-face socialisation.
Source: American Paediatric Association
Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.
Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.
“Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.
Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.
“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.
Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.
From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.
Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.
BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.
Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.
Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.
“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.
Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.
“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.
“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”
The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”
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How to apply for a drone permit
- Individuals must register on UAE Drone app or website using their UAE Pass
- Add all their personal details, including name, nationality, passport number, Emiratis ID, email and phone number
- Upload the training certificate from a centre accredited by the GCAA
- Submit their request
What are the regulations?
- Fly it within visual line of sight
- Never over populated areas
- Ensure maximum flying height of 400 feet (122 metres) above ground level is not crossed
- Users must avoid flying over restricted areas listed on the UAE Drone app
- Only fly the drone during the day, and never at night
- Should have a live feed of the drone flight
- Drones must weigh 5 kg or less
Results
2pm: Handicap Dh 90,000 1,800m; Winner: Majestic Thunder, Tadhg O’Shea (jockey), Satish Seemar (trainer).
2.30pm: Handicap Dh120,000 1,950m; Winner: Just A Penny, Sam Hitchcott, Doug Watson.
3pm: Handicap Dh105,000 1,600m; Winner: Native Appeal, Pat Dobbs, Doug Watson.
3.30pm: Jebel Ali Classic Conditions Dh300,000 1,400m; Winner: Thegreatcollection, Adrie de Vries, Doug Watson.
4pm: Maiden Dh75,000 1,600m; Winner: Oktalgano, Xavier Ziani, Salem bin Ghadayer.
4.30pm: Conditions Dh250,000 1,400m; Winner: Madame Ellingtina, Richard Mullen, Satish Seemar.
5pm: Maiden Dh75,000 1,600m; Winner: Mystery Land, Fabrice Veron, Helal Al Alawi.
5.30pm: Handicap Dh85,000 1,000m; Winner: Shanaghai City, Jesus Rosales, Rashed Bouresly.
Europe’s rearming plan
- Suspend strict budget rules to allow member countries to step up defence spending
- Create new "instrument" providing €150 billion of loans to member countries for defence investment
- Use the existing EU budget to direct more funds towards defence-related investment
- Engage the bloc's European Investment Bank to drop limits on lending to defence firms
- Create a savings and investments union to help companies access capital
'Laal Kaptaan'
Director: Navdeep Singh
Stars: Saif Ali Khan, Manav Vij, Deepak Dobriyal, Zoya Hussain
Rating: 2/5
COMPANY PROFILE
Name: Almnssa
Started: August 2020
Founder: Areej Selmi
Based: Gaza
Sectors: Internet, e-commerce
Investments: Grants/private funding
Banned items
Dubai Police has also issued a list of banned items at the ground on Sunday. These include:
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Political flags or banners
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Bikes, skateboards or scooters
MATCH INFO
League Cup, last 16
Manchester City v Southampton, Tuesday, 11.45pm (UAE)
DMZ facts
- The DMZ was created as a buffer after the 1950-53 Korean War.
- It runs 248 kilometers across the Korean Peninsula and is 4km wide.
- The zone is jointly overseen by the US-led United Nations Command and North Korea.
- It is littered with an estimated 2 million mines, tank traps, razor wire fences and guard posts.
- Donald Trump and Kim Jong-Un met at a building in Panmunjom, where an armistice was signed to stop the Korean War.
- Panmunjom is 52km north of the Korean capital Seoul and 147km south of Pyongyang, North Korea’s capital.
- Former US president Bill Clinton visited Panmunjom in 1993, while Ronald Reagan visited the DMZ in 1983, George W. Bush in 2002 and Barack Obama visited a nearby military camp in 2012.
- Mr Trump planned to visit in November 2017, but heavy fog that prevented his helicopter from landing.
THE SPECS
Engine: 3.5-litre V6
Transmission: six-speed manual
Power: 325bhp
Torque: 370Nm
Speed: 0-100km/h 3.9 seconds
Price: Dh230,000
On sale: now
The Brutalist
Director: Brady Corbet
Stars: Adrien Brody, Felicity Jones, Guy Pearce, Joe Alwyn
Rating: 3.5/5
COMPANY%20PROFILE
%3Cp%3E%3Cstrong%3EName%3A%3C%2Fstrong%3E%20SupplyVan%3Cbr%3E%3Cstrong%3EBased%3A%3C%2Fstrong%3E%20Dubai%2C%20UAE%3Cbr%3E%3Cstrong%3ELaunch%20year%3A%3C%2Fstrong%3E%202017%3Cbr%3E%3Cstrong%3ENumber%20of%20employees%3A%3C%2Fstrong%3E%2029%3Cbr%3E%3Cstrong%3ESector%3A%3C%2Fstrong%3E%20MRO%20and%20e-commerce%3Cbr%3E%3Cstrong%3EFunding%3A%3C%2Fstrong%3E%20Seed%3C%2Fp%3E%0A
TRAP
Starring: Josh Hartnett, Saleka Shyamalan, Ariel Donaghue
Director: M Night Shyamalan
Rating: 3/5
The 24-man squad:
Goalkeepers: Thibaut Courtois (Chelsea), Simon Mignolet (Liverpool), Koen Casteels (VfL Wolfsburg).
Defenders: Toby Alderweireld (Tottenham), Thomas Meunier (Paris Saint-Germain), Thomas Vermaelen (Barcelona), Jan Vertonghen (Tottenham), Dedryck Boyata (Celtic), Vincent Kompany (Manchester City).
Midfielders: Marouane Fellaini (Manchester United), Axel Witsel (Tianjin Quanjian), Kevin De Bruyne (Manchester City), Eden Hazard (Chelsea), Nacer Chadli (West Bromwich Albion), Leander Dendoncker (Anderlecht), Thorgan Hazard (Borussia Moenchengladbach), Youri Tielemans (Monaco), Mousa Dembele (Tottenham Hotspur).
Forwards: Michy Batshuayi (Chelsea/Dortmund), Yannick Carrasco (Dalian Yifang), Adnan Januzaj (Real Sociedad), Romelu Lukaku (Manchester United), Dries Mertens (Napoli).
Standby player: Laurent Ciman (Los Angeles FC).
SUCCESSION%20SEASON%204%20EPISODE%201
%3Cp%3E%3Cstrong%3ECreated%20by%3A%20%3C%2Fstrong%3EJesse%20Armstrong%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EStars%3A%3C%2Fstrong%3E%20Brian%20Cox%2C%20Jeremy%20Strong%2C%20Kieran%20Culkin%2C%20Sarah%20Snook%2C%20Nicholas%20Braun%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ERating%3A%3C%2Fstrong%3E%204%2F5%3C%2Fp%3E%0A
COMPANY PROFILE
Name: Kumulus Water
Started: 2021
Founders: Iheb Triki and Mohamed Ali Abid
Based: Tunisia
Sector: Water technology
Number of staff: 22
Investment raised: $4 million
Ziina users can donate to relief efforts in Beirut
Ziina users will be able to use the app to help relief efforts in Beirut, which has been left reeling after an August blast caused an estimated $15 billion in damage and left thousands homeless. Ziina has partnered with the United Nations High Commissioner for Refugees to raise money for the Lebanese capital, co-founder Faisal Toukan says. “As of October 1, the UNHCR has the first certified badge on Ziina and is automatically part of user's top friends' list during this campaign. Users can now donate any amount to the Beirut relief with two clicks. The money raised will go towards rebuilding houses for the families that were impacted by the explosion.”
THE LIGHT
Director: Tom Tykwer
Starring: Tala Al Deen, Nicolette Krebitz, Lars Eidinger
Rating: 3/5
Apple%20Mac%20through%20the%20years
%3Cp%3E1984%20-%20Apple%20unveiled%20the%20Macintosh%20on%20January%2024%3Cbr%3E1985%20-%20Steve%20Jobs%20departed%20from%20Apple%20and%20established%20NeXT%3Cbr%3E1986%20-%20Apple%20introduced%20the%20Macintosh%20Plus%2C%20featuring%20enhanced%20memory%3Cbr%3E1987%20-%20Apple%20launched%20the%20Macintosh%20II%2C%20equipped%20with%20colour%20capabilities%3Cbr%3E1989%20-%20The%20widely%20acclaimed%20Macintosh%20SE%2F30%20made%20its%20debut%3Cbr%3E1994%20-%20Apple%20presented%20the%20Power%20Macintosh%3Cbr%3E1996%20-%20The%20Macintosh%20System%20Software%20OS%20underwent%20a%20rebranding%20as%20Mac%20OS%3Cbr%3E2001%20-%20Apple%20introduced%20Mac%20OS%20X%2C%20marrying%20Unix%20stability%20with%20a%20user-friendly%20interface%3Cbr%3E2006%20-%20Apple%20adopted%20Intel%20processors%20in%20MacBook%20Pro%20laptops%3Cbr%3E2008%20-%20Apple%20introduced%20the%20MacBook%20Air%2C%20a%20lightweight%20laptop%3Cbr%3E2012%20-%20Apple%20launched%20the%20MacBook%20Pro%20with%20a%20retina%20display%3Cbr%3E2016%20-%20The%20Mac%20operating%20system%20underwent%20rebranding%20as%20macOS%3Cbr%3E2020%20-%20Apple%20introduced%20the%20M1%20chip%20for%20Macs%2C%20combining%20high%20performance%20and%20energy%20efficiency%3Cbr%3E2022%20-%20The%20M2%20chip%20was%20announced%3Cbr%3E2023%20-The%20M3%20line-up%20of%20chip%20was%20announced%20to%20improve%20performance%20and%20add%20new%20capabilities%20for%20Mac.%3C%2Fp%3E%0A
ENGLAND SQUAD
Goalkeepers Henderson, Johnstone, Pickford, Ramsdale
Defenders Alexander-Arnold, Chilwell, Coady, Godfrey, James, Maguire, Mings, Shaw, Stones, Trippier, Walker, White
Midfielders Bellingham, Henderson, Lingard, Mount, Phillips, Rice, Ward-Prowse
Forwards Calvert-Lewin, Foden, Grealish, Greenwood, Kane, Rashford, Saka, Sancho, Sterling, Watkins
COMPANY%20PROFILE
%3Cp%3E%3Cstrong%3ECompany%20name%3A%3C%2Fstrong%3E%20Revibe%20%0D%3Cbr%3E%3Cstrong%3EStarted%3A%3C%2Fstrong%3E%202022%0D%3Cbr%3E%3Cstrong%3EFounders%3A%3C%2Fstrong%3E%20Hamza%20Iraqui%20and%20Abdessamad%20Ben%20Zakour%20%0D%3Cbr%3E%3Cstrong%3EBased%3A%3C%2Fstrong%3E%20UAE%20%0D%3Cbr%3E%3Cstrong%3EIndustry%3A%3C%2Fstrong%3E%20Refurbished%20electronics%20%0D%3Cbr%3E%3Cstrong%3EFunds%20raised%20so%20far%3A%3C%2Fstrong%3E%20%2410m%20%0D%3Cbr%3E%3Cstrong%3EInvestors%3A%20%3C%2Fstrong%3EFlat6Labs%2C%20Resonance%20and%20various%20others%0D%3C%2Fp%3E%0A
2025 Fifa Club World Cup groups
Group A: Palmeiras, Porto, Al Ahly, Inter Miami.
Group B: Paris Saint-Germain, Atletico Madrid, Botafogo, Seattle.
Group C: Bayern Munich, Auckland City, Boca Juniors, Benfica.
Group D: Flamengo, ES Tunis, Chelsea, Leon.
Group E: River Plate, Urawa, Monterrey, Inter Milan.
Group F: Fluminense, Borussia Dortmund, Ulsan, Mamelodi Sundowns.
Group G: Manchester City, Wydad, Al Ain, Juventus.
Group H: Real Madrid, Al Hilal, Pachuca, Salzburg.
The specs
AT4 Ultimate, as tested
Engine: 6.2-litre V8
Power: 420hp
Torque: 623Nm
Transmission: 10-speed automatic
Price: From Dh330,800 (Elevation: Dh236,400; AT4: Dh286,800; Denali: Dh345,800)
On sale: Now
The%20Emperor%20and%20the%20Elephant
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Tips to avoid getting scammed
1) Beware of cheques presented late on Thursday
2) Visit an RTA centre to change registration only after receiving payment
3) Be aware of people asking to test drive the car alone
4) Try not to close the sale at night
5) Don't be rushed into a sale
6) Call 901 if you see any suspicious behaviour
The specs: 2019 Haval H6
Price, base: Dh69,900
Engine: 2.0-litre turbocharged four-cylinder
Transmission: Seven-speed automatic
Power: 197hp @ 5,500rpm
Torque: 315Nm @ 2,000rpm
Fuel economy, combined: 7.0L / 100km
