Joaquin Phoenix has wowed audiences for his role in 'Joker'. Nico Tavernise / Warner Bros
Joaquin Phoenix has wowed audiences for his role in 'Joker'. Nico Tavernise / Warner Bros
Joaquin Phoenix has wowed audiences for his role in 'Joker'. Nico Tavernise / Warner Bros
Joaquin Phoenix has wowed audiences for his role in 'Joker'. Nico Tavernise / Warner Bros

Is this the golden age of comic book films? ‘Joker’ proves they don't all have to be funny


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Ever since its premiere at the Venice Film Festival at the end of August, Joker has dominated cultural conversations across the world. At first, these discussions were focused on the impressive reviews the film received. Then people began to talk about whether it was in the running for an Oscar. But lately the focus has been on the impact Joker's controversial content might have on audiences.

No other comic book movie has been greeted with such frenzied debate and discussion from such a wide variety of critics and commentators. And with early estimates suggesting Joker would make more than $100 million (Dh367.3m) at the box office in its opening weekend, despite only costing about $55m to make, there's a good chance it will encourage other filmmakers to make comic book movies that are similarly bold, grounded, original and risky.

That would likely be a huge relief for anyone left disappointed by recent films featuring comic book characters such as the Fantastic Four, Hellboy, X-Men, Superman and Batman, which have been criticised for feeling like pale imitations of the popular productions from the Marvel Cinematic Universe.

Why is 'Joker' so unique?

But what is it that makes Joker, which stars Joaquin Phoenix, feel so unique?

Production designer Mark Feinberg spotted its originality as soon as he read director Todd Phillips's script. It took a while, though, for Feinberg to actually sit down and look at it. He was so disinterested in working in the comic book genre again, having done so on 2014 film The Amazing Spider-Man 2, that he turned down Phillips's repeated invitations to join his crew. "I prejudged it," says Feinberg, who became hooked by the way Phillips and co-writer Scott Silver had figured out how to make a comic book movie that wasn't about "escaping our world" but "confronting it". 

Joaquin Phoenix and director Todd Phillips on set of 'Joker'. Niko Tavernise/Warner Bros.
Joaquin Phoenix and director Todd Phillips on set of 'Joker'. Niko Tavernise/Warner Bros.

While Feinberg and costume designer Mark Bridges were attracted to the uniqueness of Joker, they say no one on set discussed the ways in which the film would be different to others from the genre. "We didn't talk about what we weren't doing," says Feinberg. "We talked about the cinema that inspired us."

For Feinberg, this meant focusing on movies by Martin Scorsese, especially as the director's hits Taxi Driver and The King of Comedy were major influences on Phillips. Bridges says he studied the work of New York photographers from the 1980s who were able to "capture loneliness in a crowd" in their pictures.

Joker isn’t the first comic-book movie to be so serious

All of these influences combine to give Joker a depth, seriousness and pathos that means it has more in common with the American New Wave movement of the 1970s, during which filmmakers such as Steven Spielberg, George Lucas, Francis Ford Coppola and Scorsese burst on to the cinematic scene, than the modern blockbuster.

The Batman movies, have been criticised for feeling like pale imitations of the increasingly popular productions from the Marvel Cinematic Universe. Stephen Vaughan / Warner Bros. Pictures
The Batman movies, have been criticised for feeling like pale imitations of the increasingly popular productions from the Marvel Cinematic Universe. Stephen Vaughan / Warner Bros. Pictures

But Joker isn't the first comic book movie to approach its subject matter in such a dark, serious and thought-­provoking manner. Christopher Nolan's Dark Knight trilogy, which consisted of Batman Begins, The Dark Knight and The Dark Knight Rises, was hugely successful with this approach, as was 2017's Logan, in which director James Mangold oversaw Hugh Jackman's emotional farewell as X-Men character Wolverine.

For Sean O'Connell, managing director of entertainment news outlet CinemaBlend and co-host of the ReelBlend podcast, these movies worked because they treated their "mature source material with respect", as Nolan, Mangold and Phillips didn't "cut corners to water down their subject matter". 

The fact the comic book movies have never been as popular means that there should be more and more opportunities for directors to do something different with the genre. Not only did Avengers: Endgame become the highest-grossing film of all time, but O'Connell says a superhero or comic book movie has been released almost every month this year.

After the success of 'Black Panther' and 'Captain Marvel', the studio is looking to introduce more diverse characters into the MCU. Courtesy Marvel.
After the success of 'Black Panther' and 'Captain Marvel', the studio is looking to introduce more diverse characters into the MCU. Courtesy Marvel.

With so many characters and sequels to explore, O'Connell says he hopes Joker will "empower studios to take more risks on projects that don't seem like safe, four-quadrant crowd-pleasers in the comic book realm". He also says that Joker stands out because it "isn't trying to set up another movie, or continue a story that was handed to it by a separate filmmaker". Instead, it is "a stand-alone story with a clear beginning and a distinct ending".  

What’s the future for the genre?

Feinberg suggests there is unlikely to be a Joker sequel. "The one thing that really attracted me to Joker was that Todd wasn't interested in doing a franchise. He wanted to make a one-off," he explains. He also says that if Phillips and Warner Bros were to franchise anything from Joker it would be the "origin stories of how people get to the level of being two-dimensional or comic book characters". 


That plan has been teased already by Phillips in an interview with Empire. The director has told Warner Bros that they should find "great filmmakers" to make comic book movies made on $30m budgets, with no CGI. He wants them to strip away everything that has defined the genre in the wake of Marvel's success. "Instead of trying to live in the shadow of the beast [the MCU], let's do something they can't," he says in the interview. "It'll be liberating."

Marvel isn't simply basking in its triumphs, though. After the success of Black Panther and Captain Marvel, the studio is looking to introduce more diverse characters into the MCU, while The Eternals, Shang-Chi and the Legend of the Ten Rings and Doctor Strange in the Multiverse of Madness all promise to be even more visually arresting, surreal and cosmic than the 23 previous instalments to the cinematic behemoth. Disney's acquisition of 20th Century Fox also means that it has the small matter of bringing Blade, the Fantastic Four and the X-Men into the fold.

After dominating the box office for the best part of 20 years, the comic book genre still shows absolutely no signs of slowing down. Instead, it looks as though it is about to begin a new chapter, one that doesn't only have the potential to take the films to new artistic heights, but had might even please cinema-goers who have previously dismissed these films.

Essentials
The flights: You can fly from the UAE to Iceland with one stop in Europe with a variety of airlines. Return flights with Emirates from Dubai to Stockholm, then Icelandair to Reykjavik, cost from Dh4,153 return. The whole trip takes 11 hours. British Airways flies from Abu Dhabi and Dubai to Reykjavik, via London, with return flights taking 12 hours and costing from Dh2,490 return, including taxes. 
The activities: A half-day Silfra snorkelling trip costs 14,990 Icelandic kronur (Dh544) with Dive.is. Inside the Volcano also takes half a day and costs 42,000 kronur (Dh1,524). The Jokulsarlon small-boat cruise lasts about an hour and costs 9,800 kronur (Dh356). Into the Glacier costs 19,500 kronur (Dh708). It lasts three to four hours.
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MATCH INFO

Delhi Daredevils 174-4 (20 ovs)
Mumbai Indians 163 (19.3 ovs)

Delhi won the match by 11 runs

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The Settlers

Director: Louis Theroux

Starring: Daniella Weiss, Ari Abramowitz

Rating: 5/5

Yahya Al Ghassani's bio

Date of birth: April 18, 1998

Playing position: Winger

Clubs: 2015-2017 – Al Ahli Dubai; March-June 2018 – Paris FC; August – Al Wahda

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UAE fixtures
May 9, v Malaysia
May 10, v Qatar
May 13, v Malaysia
May 15, v Qatar
May 18 and 19, semi-finals
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WOMAN AND CHILD

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UAE rugby season

FIXTURES

West Asia Premiership

Dubai Hurricanes v Dubai Knights Eagles

Dubai Tigers v Bahrain

Jebel Ali Dragons v Abu Dhabi Harlequins

UAE Division 1

Dubai Sharks v Dubai Hurricanes II

Al Ain Amblers v Dubai Knights Eagles II

Dubai Tigers II v Abu Dhabi Saracens

Jebel Ali Dragons II v Abu Dhabi Harlequins II

Sharjah Wanderers v Dubai Exiles II

 

LAST SEASON

West Asia Premiership

Winners – Bahrain

Runners-up – Dubai Exiles

UAE Premiership

Winners – Abu Dhabi Harlequins

Runners-up – Jebel Ali Dragons

Dubai Rugby Sevens

Winners – Dubai Hurricanes

Runners-up – Abu Dhabi Harlequins

UAE Conference

Winners – Dubai Tigers

Runners-up – Al Ain Amblers

UAE currency: the story behind the money in your pockets
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While you're here
Where to submit a sample

Volunteers of all ages can submit DNA samples at centres across Abu Dhabi, including: Abu Dhabi National Exhibition Centre (Adnec), Biogenix Labs in Masdar City, NMC Royal Hospital in Khalifa City, NMC Royal Medical Centre, Abu Dhabi, NMC Royal Women's Hospital, Bareen International Hospital, Al Towayya in Al Ain, NMC Specialty Hospital, Al Ain

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1987

1954

1921

1888

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Results:

5pm: Handicap (PA) | Dh80,000 | 1,600 metres

Winner: Dasan Da, Saeed Al Mazrooei (jockey), Helal Al Alawi (trainer)

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Winner: AF Saabah, Tadhg O’Shea, Ernst Oertel

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Winner: Mukaram, Pat Cosgrave, Eric Lemartinel

6.30pm: Handicap (PA) | Dh80,000 | 2,200m

Winner: MH Tawag, Richard Mullen, Elise Jeanne

7pm: Wathba Stallions Cup Handicap (PA) | Dh70,000 | 1,400m

Winner: RB Inferno, Fabrice Veron, Ismail Mohammed

7.30pm: Handicap (TB) | Dh100,000 | 1,600m

Winner: Juthoor, Jim Crowley, Erwan Charpy

COMPANY%20PROFILE
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Graphene is extracted from graphite and is made up of pure carbon.

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It conducts electricity better than any other material at room temperature.

It is thought that graphene could boost the useful life of batteries by 10 per cent.

Graphene can also detect cancer cells in the early stages of the disease.

The material was first discovered when Andre Geim and Konstantin Novoselov were 'playing' with graphite at the University of Manchester in 2004.

The five pillars of Islam

1. Fasting 

2. Prayer 

3. Hajj 

4. Shahada 

5. Zakat 

RESULTS

5pm: Maiden (PA) Dh80,000 1,600m
Winner: Raghida, Szczepan Mazur (jockey), Ibrahim Al Hadhrami (trainer)
5.30pm: Maiden (PA) Dh80,000 1,600m
Winner: AF Alareeq, Connor Beasley, Ahmed Al Mehairbi
6pm: Arabian Triple Crown Round-2 Group 3 (PA) Dh300,000 2,200m 
Winner: Basmah, Fabrice Veron, Eric Lemartinel
6.30pm: Liwa Oasis Group 2 (PA) Dh300,000 1,400m
Winner: AF Alwajel, Tadhg O’Shea, Ernst Oertel
7pm: Wathba Stallions Cup Handicap (PA) Dh70,000 1,600m
Winner: SS Jalmod, Richard Mullen, Satish Seemar
7.30pm: Handicap (TB) Dh100,000 1,600m
Winner: Trolius, Ryan Powell, Simon Crisford

How to donate

Send “thenational” to the following numbers or call the hotline on: 0502955999
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PSA DUBAI WORLD SERIES FINALS LINE-UP

Men’s: 
Mohamed El Shorbagy (EGY)
Ali Farag (EGY)
Simon Rosner (GER)
Tarek Momen (EGY)
Miguel Angel Rodriguez (COL)
Gregory Gaultier (FRA)
Karim Abdel Gawad (EGY)
Nick Matthew (ENG)

Women's: 
Nour El Sherbini (EGY)
Raneem El Welily (EGY)
Nour El Tayeb (EGY)
Laura Massaro (ENG)
Joelle King (NZE)
Camille Serme (FRA)
Nouran Gohar (EGY)
Sarah-Jane Perry (ENG)