FZN by Bjorn Frantzen's langoustine, left, and Studio Frantzen's seabass ceviche, right, are among several standout dishes at Swedish chef Bjorn Frantzen's two Dubai restaurants. Photos: FZN by Bjorn Frantzen; Studio Frantzen
FZN by Bjorn Frantzen's langoustine, left, and Studio Frantzen's seabass ceviche, right, are among several standout dishes at Swedish chef Bjorn Frantzen's two Dubai restaurants. Photos: FZN by Bjorn Frantzen; Studio Frantzen
FZN by Bjorn Frantzen's langoustine, left, and Studio Frantzen's seabass ceviche, right, are among several standout dishes at Swedish chef Bjorn Frantzen's two Dubai restaurants. Photos: FZN by Bjorn Frantzen; Studio Frantzen
FZN by Bjorn Frantzen's langoustine, left, and Studio Frantzen's seabass ceviche, right, are among several standout dishes at Swedish chef Bjorn Frantzen's two Dubai restaurants. Photos: FZN by Bjorn

Could Bjorn Frantzen bring Dubai its first three-Michelin-starred restaurant?


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Dubai recently welcomed two new restaurants to its already thriving gastronomic scene, with both landing at the buzzing Atlantis, The Palm.

Bjorn Frantzen comes to the Emirates with a dazzling reputation after scooping his first Michelin star within one year of opening his first restaurant, Frantzen, in his native Sweden in 2008.

Now with six Michelin gongs to his name, he is no doubt hoping for more with the opening of FZN by Bjorn Frantzen – a sophisticated fine dining tasting concept restaurant – and its more relaxed sister venue, Studio Frantzen.

FZN by Bjorn Frantzen brings the chef's critically acclaimed French-Asian gastronomy with Nordic influences, with many in the industry expecting it to become an award-winning venue. Studio Frantzen, meanwhile, is its trendier, more casual counterpart that offers more of a party setting without sacrificing the culinary prowess that have earned chef Frantzen his reputation.

My dining partner and I head over to sample the duo, and compare how they fare.

Where to sit, what to expect

Both venues are set side by side in the heart of Atlantis The Palm, and their aesthetic immediately sets the two apart in subtle and stylish ways.

Studio Frantzen is the more laid-back of the two restaurants. Photo: Studio Frantzen
Studio Frantzen is the more laid-back of the two restaurants. Photo: Studio Frantzen

Studio Frantzen is the more modern of the two and offers a laid-back, open-plan feel. It’s a large atrium adorned with hand-painted murals, drooping chandeliers and a light colour scheme with hints of red throughout.

Although stylish to the hilt, the venue has a relaxed dress code, giving it a blend of comfort, quiet sophistication and a sense that it could be Dubai’s latest go-to party venue. There’s a resident DJ playing from Wednesday to Saturday every week to provide upbeat energy and there’s an abundance of seating options.

The main dining area is lined with comfortable booths and bespoke tables, a 20-seat open kitchen area where we can see the chefs work up close and, for those looking for something that little bit more special, there’s a 14-seater private dining area. There’s also an interactive dessert room, adorned in the brand’s colourful bear print, where diners can choose from a selection of sweet treats.

Restaurant FZN offers the option of high seating in the open kitchen area. Photo: FZN By Bjorn Frantzen
Restaurant FZN offers the option of high seating in the open kitchen area. Photo: FZN By Bjorn Frantzen

As for FZN By Bjorn Frantzen, this is the chef's signature restaurant – and the difference is immediately noticeable. On arrival, we are confronted by a grand doorway complete with a doorbell that we have to ring. Once inside, a full labyrinth awaits, with a chic, art-filled living room our first destination.

Here, we are treated to canapes in a sophisticated yet cozy setting complemented by stunning views over Palm Jumeirah and the Arabian Gulf. After that, is a guided tour of the restaurant before we’re directed to the main dining area and take our pick between one of the 13 stool seats at the open kitchen area or one of four tables seating up to 14 guests.

Even in a setting as luxurious as this, chef Frantzen is determined to remain true to his roots, with the venue playing music from his personally curated playlist of 300-plus 1990s Britpop music, inspired by his time in the UK during that decade. Think Oasis, Pulp, Blur and more, all while tucking into potentially award-winning fare.

The menu: Studio Frantzen

Studio Frantzen offers an eclectic a la carte menu. Taking inspiration from chef Frantzen’s open-flame kitchen in Stockholm, the menu highlights are “from the fireplace” with ingredients sourced from all over the world, most notably from Norway, Japan and France.

We start with the Rockefeller oysters on the recommendation of our server, Ivonna. These are served with seaweed and aged cheese. Oysters are always a special way to start an evening, but the taste and texture of these is exquisite, while the flavour of the seaweed and cheese blends wonderfully and gives the starter an extravagant edge.

Rockefeller oysters with seaweed and aged cheese. Photo: Studio Frantzen
Rockefeller oysters with seaweed and aged cheese. Photo: Studio Frantzen

Following Ivonna’s recommendations, we opt for three small plates to share: veal tartare, sea bass ceviche and roasted chicken aioli. The standards across each remain high, but our undisputed favourite is the veal tartare.

While there are some vegetarian options, such as roasted cauliflower and truffle with hazelnuts, and artichoke barigoule, be aware that the abundance of choice provided for meat-eaters is not replicated for non-meat-eaters. It’s a situation mirrored at FZN By Bjorn Frantzen, too.

For mains, we go for the chef’s signature turbot with butter sauce, anchovy, caviar and dill, with a side dish of hassleback potatoes with browned butter.

In some ways, the beauty of these two plates lies in their simplicity. The turbot is fresh and cooked so delicately, it gives it an almost melt-in-the-mouth texture, and the flavour of the sauce is subtle enough so as not to overpower the fish. The potatoes, meanwhile, are a banker to go with any traditional main course and provide a comfort food feel to accompany the turbot’s sophistication.

Dessert at Studio Frantzen is billed as a standout feature, with the interactive dessert room. It’s safe to say we are not disappointed.

I opt for the Mello bar, intrigued by the fact this milk chocolate cake has chestnut and cep mushrooms as key ingredients, and it does work. There’s no savoury flavour emanating from the mushrooms. It’s more that they bulk out the texture of the cake and serve to enhance the taste of the chocolate within. It’s unusual, quirky, and worth a taste.

My dining partner opts for the Paris-Brest, a hazelnut praline and smoked dark chocolate mousse. This is a far more traditional dessert that serves to round off a fun, vibrant evening with a suave edge. A third chef-recommended dessert is camomile and ghaf honey cheesecake with buckwheat crumble, yuzu curd and Buddha’s hand confit.

The menu: FZN By Bjorn Frantzen

FZN is a different format entirely, with a nine-course tasting menu the go-to option after canapes on arrival. This venue landed with the expectation that it could reach unprecedented heights in regional awards. Believe me, it lives up to the hype.

My dining partner and I are treated to an elegant culmination of years of work, with chef Frantzen’s Scandinavian vision of gastronomy transported on to a table right here in Dubai. Every course comes complete with an explanation of how the dish is created, as our server Julia explains why the relevant ingredients are chosen, making it an informative and enjoyable evening.

Seafood dominates the initial stages. The first course is crudo and otoro served with Japanese turnip, fermented strawberry and coffee oil. This is followed by langoustine with koshihikari rice and ginger, with turbot served alongside barigoule, shio kombu and pine as the third course.

The coffee oil added to the crudo and otoro is a nice touch, somehow bringing out additional flavour to the two incredibly fresh pieces of fish. That said, it is the langoustine that steals the show among the preliminary courses. So fresh that you see it alive before it’s cooked and, although this might not be to everyone’s taste, it adds a touch of authenticity.

Chawanmushi with smoked beef broth and caviar. Photo: FZN
Chawanmushi with smoked beef broth and caviar. Photo: FZN

From there we move on to chawanmushi, a Japanese savoury egg custard dish, with smoked beef broth and caviar, followed by king crab served with saffron beurre blanc, sea buckthorn and ikura. The sequence of this is impressive, with the chawanmushi acting as a sophisticated palate cleanser and paving the way for the more concentrated flavour of the crab to come.

Next it’s French toast, unagi, spring onion and charcuterie followed by barbecue duck served with foie gras, kampot pepper and wasabi. The French toast provides a touch of comfort food and familiarity amid FZN's multifaceted offerings, but the duck is arguably its signature dish – and certainly our favourite of the evening.

The presentation is sublime, as the waiting staff bring the bird to the table before carving it. The smell on its own is enough to get the senses tingling.

For dessert, we’re served frozen lime marshmallow, young coconut and lemon grass followed by tarte Tatin, apple, bay leaves and milky oolong. Both sweet dishes offer a delicate finale to a nine-course dinner, striking the balance between taste and flavour while not being too heavy to be overbearing as a final course.

FZN By Bjorn Frantzen lives up to its billing although, like Studio Frantzen, it isn’t vegan-friendly. What’s more, at Dh2,000 per seat, it could price out many a foodie for that reason alone.

A chat with the chefs

These sister restaurants are wonderfully similar in many ways while maintaining their individual quirks and independence. Both offer some of the finest food available in the UAE, yet the setting and style differ markedly. This is a fact reflected by the two leading chefs.

Geoffroy van Hasbroeck, chef de cuisine at Studio Frantzen, has honed his skills in some of the most prestigious kitchens across Brussels, Paris, Monaco and Dubai over a 25-year career.

Chef Geoffroy van Hasbroeck recommends the chamomile and ghaf honey cheesecake for dessert. Photo: Studio Frantzen
Chef Geoffroy van Hasbroeck recommends the chamomile and ghaf honey cheesecake for dessert. Photo: Studio Frantzen

Inspired to cook from a young age by his family’s involvement in the catering and restaurant business, van Hasbroeck prides himself in combining French-Asian cuisine with traditional Nordic ingredients.

The chef smiles as I ask him about his favourite ingredient to cook with. “Citrus and herbs,” he says. “They make a powerful combination, adding colour, fresh flavour and layers of complexity to several of our dishes.” His cooking style is “rooted in classic French foundations” with an “emphasis on precise techniques and rich sauces, while incorporating unexpected ingredients and influences from diverse culinary traditions around the world”.

At Restaurant FZN, Torsten Vildgaard is the main man. Hailing from Copenhagen, Denmark, his early career was shaped by his work with Rene Redzepi at Noma in the Danish capital.

Having earned a Michelin star at his own restaurant, Studio, in his home city, he moved to the Frantzen Group one year ago to work at Atlantis The Palm, looking to build on his gastronomic experiences and embrace more international flavours.

Executive chef Torsten Vildgaard recommends the chawanmushi with truffle dashi and black garlic pearls for vegetarians. Photo: FZN by Bjorn Frantzen
Executive chef Torsten Vildgaard recommends the chawanmushi with truffle dashi and black garlic pearls for vegetarians. Photo: FZN by Bjorn Frantzen

He says seafood is his favourite ingredient to cook with, noting that it is incorporated into many of his dishes at FZN, and describes his cooking style as “classic with a strong Nordic approach”.

“I very much admire Bjorn’s philosophy,” he tells me. “Through his frequent travels to Japan, he was inspired by the way he saw multi-course menus, leading many of his restaurants to focus on tasting menus. It’s an art to eat multiple courses. And if you look at tasting menus, where does the idea originate from? It comes from the Japanese kaiseki cuisine.”

Price point and contact information

At Studio Frantzen, starters range from Dh35 to Dh690, mains are Dh110 to Dh750, while desserts are D30 to Dh65. At FZN By Bjorn Frantzen, the nine-course tasting menu is priced at Dh2,000 per person.

Studio Frantzen is open daily from 6pm to 1am and reservations can be made by contacting 054 584 3105; FZN is open from 7pm to 1am, and reservations can be made by contacting 04 426 2626.

These reviews were conducted at the invitation of the restaurants

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

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UAE currency: the story behind the money in your pockets
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2022:  Khan’s office attributes rise in Islamophobic abuse against the major to hostility stoked during Trump’s presidency

July 2025 During a golfing trip to Scotland, Trump calls Khan “a nasty person”

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Dec 2025 Trump suggests migrants got Khan elected, calls him a “horrible, vicious, disgusting mayor”

Classification of skills

A worker is categorised as skilled by the MOHRE based on nine levels given in the International Standard Classification of Occupations (ISCO) issued by the International Labour Organisation. 

A skilled worker would be someone at a professional level (levels 1 – 5) which includes managers, professionals, technicians and associate professionals, clerical support workers, and service and sales workers.

The worker must also have an attested educational certificate higher than secondary or an equivalent certification, and earn a monthly salary of at least Dh4,000. 

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Price, base / as tested: Dh74,900 / Dh85,900

Engine: 937cc

Transmission: Six-speed gearbox

Power: 110hp @ 9,000rpm

Torque: 93Nm @ 6,500rpm

Fuel economy, combined: 5.9L / 100km

Labour dispute

The insured employee may still file an ILOE claim even if a labour dispute is ongoing post termination, but the insurer may suspend or reject payment, until the courts resolve the dispute, especially if the reason for termination is contested. The outcome of the labour court proceedings can directly affect eligibility.


- Abdullah Ishnaneh, Partner, BSA Law 

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Starring: Anthony Mackie, Aiysha Hart, Ben Kingsley

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Rating: 3/5

 

 

Updated: December 10, 2024, 7:37 AM