Stuffed pies remind me of Enid Blyton stories, with her tantalising descriptions of picnic baskets heavy with ginger biscuits and eclairs, bread-and-jam sandwiches and corned beef, cakes and pies. Blyton’s words had the power to make children dream, even if those dreams had feasts featuring canned meat that we would angrily shoo off of our tables as cultured adults now.
While the magic of Blyton’s hard-boiled eggs and bags of lettuce has since waned, I am still in awe of stuffed pies. One of the most sensuous pies is the Moroccan b’stilla, one that some attribute to the hands of the Moors in Andalusia, while others to the Berbers of North Africa.
Regardless of which ovens first baked this historic creation, the pie is encased in angelically crisp layers of "warka" (leaf) pastry, one that is extremely arduous to make and often substituted with the more easily available filo. I remember a time at Taste of Dubai, when I sank my teeth through layers of Almaz by Momo's traditional b'stilla, and found myself whisked away to a fairy-tale world where sweet and savoury waltzed together in a glittering ballroom. Shredded bundles of chicken danced wildly, bursting at their salty breeches with puffs of sweet cinnamon. Crushed almonds pranced about like pixies, teasing the chicken with their sugary, cinnamon tunes. And everybody lived happily ever after, under a layered pastry sky latticed with cinnamon, icing sugar and streaks of butter. This is a pie whose sweet and savoury combination was legitimised by the ancient culinary interactions of the Muslims and the Spaniards, more than eight centuries ago.
While the more royal version is plied with pigeon meat, I have only found chicken b’stilla in Dubai, with the sweet-savoury scent of Fez wafting from its rich stuffing. While I am easily bewitched by most stuffed pies, a well-made b’stilla can trap me in a savoury-sweet spell unlike any other.
Almaz by Momo (04 409 8877) bakes an incredibly crispy b’stilla; Marakesh Moroccan Restaurant in Deira (04 265 4110) serves a reasonably good version, too.
Arva Ahmed blogs about hidden food gems in Old Dubai at www.ILiveinaFryingPan.com
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A State of Passion
Directors: Carol Mansour and Muna Khalidi
Stars: Dr Ghassan Abu-Sittah
Rating: 4/5
Dr Afridi's warning signs of digital addiction
Spending an excessive amount of time on the phone.
Neglecting personal, social, or academic responsibilities.
Losing interest in other activities or hobbies that were once enjoyed.
Having withdrawal symptoms like feeling anxious, restless, or upset when the technology is not available.
Experiencing sleep disturbances or changes in sleep patterns.
What are the guidelines?
Under 18 months: Avoid screen time altogether, except for video chatting with family.
Aged 18-24 months: If screens are introduced, it should be high-quality content watched with a caregiver to help the child understand what they are seeing.
Aged 2-5 years: Limit to one-hour per day of high-quality programming, with co-viewing whenever possible.
Aged 6-12 years: Set consistent limits on screen time to ensure it does not interfere with sleep, physical activity, or social interactions.
Teenagers: Encourage a balanced approach – screens should not replace sleep, exercise, or face-to-face socialisation.
Source: American Paediatric Association
Where to apply
Applicants should send their completed applications - CV, covering letter, sample(s) of your work, letter of recommendation - to Nick March, Assistant Editor in Chief at The National and UAE programme administrator for the Rosalynn Carter Fellowships for Mental Health Journalism, by 5pm on April 30, 2020.
Please send applications to nmarch@thenational.ae and please mark the subject line as “Rosalynn Carter Fellowship for Mental Health Journalism (UAE programme application)”.
The local advisory board will consider all applications and will interview a short list of candidates in Abu Dhabi in June 2020. Successful candidates will be informed before July 30, 2020.
The specs
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