Insight and opinion from The National’s editorial leadership
September 01, 2023
Few can doubt the Arabic language’s significance in the world around us. There are nearly as many native Arabic speakers as there are North Americans, and they outnumber native French speakers six to one. Arabic is an official language at the UN, and the liturgical language of the world’s 1.8 billion Muslims.
On the internet, however, its presence is surprisingly scarce – almost non-existent. Despite it being the fourth-most common language among netizens (mirroring the offline world), less than 1 per cent of online content is published in Arabic. More websites are written in Czech, a language spoken by a population the size of the UAE’s.
With the advent of new AI technology that can generate text, speech, images and other media, often to a level that matches or possiblysurpasses human ability, the online presence of languages has suddenly become more relevant than ever. “Generative AI” is expected to transform the digital and real worlds alike, and its most common form is the large language model (LLM), which, as the name suggests, produces coherent content by training on vast amounts of data – usually drawn from the internet – in a given language. The more data available for training, the better the model. It is easy to see, then, why English seems set to dominate the AI revolution, and why the race is on for those who want to safeguard a future for other languages to catch up.
There are nearly as many native Arabic speakers as there are North Americans
This week, the position of the Arabic language got a boost with the roll-out of Jais, an open-source bilingual Arabic-English LLM developed in the UAE. Jais’s developers – a team drawn from Abu Dhabi AI firm G42, Mohamed bin Zayed University of Artificial Intelligence and US tech firm Cerebras Systems – say their LLM is now the most accurate one availablein Arabic.
Impressively, Jais can operate in multiple Arabic dialects – a skill that speakers of the language will know to be critical for widespread adoption and success. Arabic is often referred to by linguists as a “macrolanguage”, owing to the extreme variations across these dialects. Jais’s developing ability to generate content across them, along with Modern Standard Arabic and English, could one day help to strengthen translation services, bolster the Arabic education sector and drive more digital adoption in the Arab world.
The greatest challenge for Jais, of course, is the limitedonline Arabic material on which to train. But Andrew Jackson, chief executive of the G42 unit involved in Jais, says overcoming this obstacle is a major focus of the team’s work.
“We’re spearheading an initiative to collect more Arabic data from offline sources,” he told The National. “So this has already kicked off in earnest and this is the first method that we will employ to boost Arabic.”
Developing an Arabic LLM to a level where it bears all the promise of English-language counterparts like ChatGPT will be a monumental task. It is perhaps little wonder that Jais is named after the UAE’s highest mountain. But if the summit of its potential can be reached, it could transform life in the Arab world and ensure that one of humanity’s great ancient languages has a permanent place in its future.
Non-profit arts studio Tashkeel launched this annual initiative with the intention of supporting budding designers in the UAE. This year, three talents were chosen from hundreds of applicants to be a part of the sixth creative development programme. These are architect Abdulla Al Mulla, interior designer Lana El Samman and graphic designer Yara Habib.
The trio have been guided by experts from the industry over the course of nine months, as they developed their own products that merge their unique styles with traditional elements of Emirati design. This includes laboratory sessions, experimental and collaborative practice, investigation of new business models and evaluation.
It is led by British contemporary design project specialist Helen Voce and mentor Kevin Badni, and offers participants access to experts from across the world, including the likes of UK designer Gareth Neal and multidisciplinary designer and entrepreneur, Sheikh Salem Al Qassimi.
The final pieces are being revealed in a worldwide limited-edition release on the first day of Downtown Designs at Dubai Design Week 2019. Tashkeel will be at stand E31 at the exhibition.
Lisa Ball-Lechgar, deputy director of Tashkeel, said: “The diversity and calibre of the applicants this year … is reflective of the dynamic change that the UAE art and design industry is witnessing, with young creators resolute in making their bold design ideas a reality.”
Golden Ball - best Emirati player: Khalfan Mubarak (Al Jazira)
Golden Ball - best foreign player: Igor Coronado (Sharjah)
Golden Glove - best goalkeeper: Adel Al Hosani (Sharjah)
Best Coach - the leader: Abdulaziz Al Anbari (Sharjah)
Fans' Player of the Year: Driss Fetouhi (Dibba)
Golden Boy - best young player: Ali Saleh (Al Wasl)
Best Fans of the Year: Sharjah
Goal of the Year: Michael Ortega (Baniyas)
The candidates
Dr Ayham Ammora, scientist and business executive
Ali Azeem, business leader
Tony Booth, professor of education
Lord Browne, former BP chief executive
Dr Mohamed El-Erian, economist
Professor Wyn Evans, astrophysicist
Dr Mark Mann, scientist
Gina MIller, anti-Brexit campaigner
Lord Smith, former Cabinet minister
Sandi Toksvig, broadcaster
Hotel Data Cloud profile
Date started: June 2016
Founders: Gregor Amon and Kevin Czok
Based: Dubai
Sector: Travel Tech
Size: 10 employees
Funding: $350,000 (Dh1.3 million)
Investors: five angel investors (undisclosed except for Amar Shubar)
