A new public art installation at ICD Brookfield Place in Dubai uses artificial intelligence to bring data on an ancient civilisation to life.
The architectural data sculpture, entitled Datamonolith_AI, was conceived by regional new media studio Ouchhh. It was created using data from the pre-Pottery Neolithic period that has been processed through a series of algorithms.
Digital information is represented on four LED panels comprised of three billion pixels and images collected from Turkey's Gobekli Tepe archaeological site in south-eastern Anatolia have been translated into illuminations on the obelisk.
The result transforms static images and information into an ever-changing display.
The piece, which has already been exhibited in other major global cities such as New York, London, Taipei, Tokyo and Barcelona, will be showcased at the DIFC destination until Tuesday, March 23.
"We are incredibly proud to launch our public art programme with Datamonolith_AI," ICD Brookfield Place's investment director Ben McGregor said. "This striking installation is the first in a programme of world-class cultural experiences."
This particular piece was chosen to be the hub’s first large-scale installation because of the “immersive storytelling experience” it offers viewers.
Arthur Gaillard, chief curator of global art consultancy and production agency MASSIVart, which curated the artwork, said it "beautifully complements the building's mission: to foster a greater sense of community and connection by sharing in creative experiences".
The 53-storey ICD Brookfield Place, a lifestyle and business destination, opened to its first tenants in late 2020, offering four acres of dining, retail and community space.
It is also home to the first international outpost of London's private members' club, The Arts Club.
The arts programme, which is being kicked off with the reveal of this new installation, aims to support innovation in music, dance, theatre, film and visual art, notes a statement, “by pushing boundaries to create unique works of art and cultural experiences presented for free”.
Will the pound fall to parity with the dollar?
The idea of pound parity now seems less far-fetched as the risk grows that Britain may split away from the European Union without a deal.
Rupert Harrison, a fund manager at BlackRock, sees the risk of it falling to trade level with the dollar on a no-deal Brexit. The view echoes Morgan Stanley’s recent forecast that the currency can plunge toward $1 (Dh3.67) on such an outcome. That isn’t the majority view yet – a Bloomberg survey this month estimated the pound will slide to $1.10 should the UK exit the bloc without an agreement.
New Prime Minister Boris Johnson has repeatedly said that Britain will leave the EU on the October 31 deadline with or without an agreement, fuelling concern the nation is headed for a disorderly departure and fanning pessimism toward the pound. Sterling has fallen more than 7 per cent in the past three months, the worst performance among major developed-market currencies.
“The pound is at a much lower level now but I still think a no-deal exit would lead to significant volatility and we could be testing parity on a really bad outcome,” said Mr Harrison, who manages more than $10 billion in assets at BlackRock. “We will see this game of chicken continue through August and that’s likely negative for sterling,” he said about the deadlocked Brexit talks.
The pound fell 0.8 per cent to $1.2033 on Friday, its weakest closing level since the 1980s, after a report on the second quarter showed the UK economy shrank for the first time in six years. The data means it is likely the Bank of England will cut interest rates, according to Mizuho Bank.
The BOE said in November that the currency could fall even below $1 in an analysis on possible worst-case Brexit scenarios. Options-based calculations showed around a 6.4 per cent chance of pound-dollar parity in the next one year, markedly higher than 0.2 per cent in early March when prospects of a no-deal outcome were seemingly off the table.
Bloomberg
Conflict, drought, famine
Estimates of the number of deaths caused by the famine range from 400,000 to 1 million, according to a document prepared for the UK House of Lords in 2024.
It has been claimed that the policies of the Ethiopian government, which took control after deposing Emperor Haile Selassie in a military-led revolution in 1974, contributed to the scale of the famine.
Dr Miriam Bradley, senior lecturer in humanitarian studies at the University of Manchester, has argued that, by the early 1980s, “several government policies combined to cause, rather than prevent, a famine which lasted from 1983 to 1985. Mengistu’s government imposed Stalinist-model agricultural policies involving forced collectivisation and villagisation [relocation of communities into planned villages].
The West became aware of the catastrophe through a series of BBC News reports by journalist Michael Buerk in October 1984 describing a “biblical famine” and containing graphic images of thousands of people, including children, facing starvation.
Band Aid
Bob Geldof, singer with the Irish rock group The Boomtown Rats, formed Band Aid in response to the horrific images shown in the news broadcasts.
With Midge Ure of the band Ultravox, he wrote the hit charity single Do They Know it’s Christmas in December 1984, featuring a string of high-profile musicians.
Following the single’s success, the idea to stage a rock concert evolved.
Live Aid was a series of simultaneous concerts that took place at Wembley Stadium in London, John F Kennedy Stadium in Philadelphia, the US, and at various other venues across the world.
The combined event was broadcast to an estimated worldwide audience of 1.5 billion.
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